woodsac said:
And nobody rode you for it...just show we
do like you
For me, it's the white portion of the frame. The shiny, plastic looking corners and dual colors (might be a shadow) just distract from the photo.
aww...now I'm all teary-eyed...especially since y'all harrassed Mansi, and JM tells me she is way out of my league...
When you're talking about the corners...are you talking about the black trim or around the pic itself? I did the edging of the frame thusly:
I did my post-processing (oh, by the way JonMikal and MyCameraEye and ClarinetJWD--this picture was shot in RAW--so there :greenpbl: ), then I increased the canvis by 300 px all around. I created a new layer behind the pic and filled it in with white. Then I took the marquee (I think the little plus thing that makes squares to highlight) tool and went to the edge in so the little plus's tips were on the left and top edge, dragged to the bottom right and lined it up the same. Then I did a select inverse, feathered to 20 and layered via cut. then I filled in the cut piece (with black and made that the very bottom layer. Does that make sense?
As for the shadow. If you look at some older pics (like from my sister's wedding), you will see that there I have a drop shadow...for that I just duplicated the pic layer, deleted the pic and filled it with black, feathered it at 50 and moved it right and down until it was a cute drop shadow. I never liked that, so I tried something different for this one. Sadly, while I will be able to repeat it, I can't explain it because I don't know the terms yet. Basically I grabbed the pic (in a copied layer) and then right clicked in the box and one of the options was something like overlay or some such, and I did it at 50 and that is how I got the shadow all around (I think).
So, there you go...that's how I did it. I realize you didn't ask, but tough
Seriously, though, my original question still stands, are you talking about the shadow or the black trim at the very edge?