Hmm, let's see...we have a tilted horizon, part of the ostensibly main subject cropped off for no apparent reason...not much going on. The snowy background is not all that compelling. The notebook is placed in an incongruous setting...the design principle "light advances, dark recedes" springs to mind--'cause the background seems to advance, and overpower the ostensible subject.
The focus is good. That's about all you've got going for your snap. The lines in the photo )the concrete's brush-stroke finish, and the siding) lead the eye out of the main subject's area. All in all, not a very compelling still life.
To anybody who has studied photography for very long, a deliberately tilted horizon line is anathema--it screams 'noob, very loudly. The photo breaks many fundamental compositional principles for no apparent reason,and so as a photograph, it doesn't rise very far above the level of well-exposed snap. But hey--it is well-exposed! I've seen many similar shots underexposed by 4-5 stops before, so take heart, and keep at it! I looked for Sasquatch in the large size image, but did not find him.