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Best Starter Lens Options

MeeshyMeeshy

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Hey guys,

I'm new to this forum, and fairly new to the DSLR world. To give you some of my back story, I am a graphic designer who likes to dabble in all kinds of art, and have always enjoyed photography. Over the years I've used countless point-and-shoots, a Holga camera, and finally have experimented quite a bit with iPhoneography. I finally got my first DSLR (Canon EOS Rebel T3 with 18-55mm lens and 75-300 zoom lens) in September and have been reading up on all kinds of things to add to my camera bag. The only dilemma is, it can be a bit overwhelming when there are so many options.

So my question is, what are some of the best all around lenses to get on a budget? I've seen the 50mm f1.8 lens pop up quite a bit, and only for about $100 which is a price point that makes me very happy! I would love to hear any recommendations for beginner add-ons. I find that I mainly shoot landscape and architecture scenes, but am not limited to just those subject matters.

I am also wondering if anyone else has the 75-300mm zoom lens and how they feel about it. I've played around with it a bit but it's not my favorite. Any comments on what it is best used for?

Thanks so much for your help! :D
 
The 50mm 1.8 is arguably the first lens bought post kit lens.
 
Agreed!!! 50mm f1.8!!!
Sure, you can't zoom. But outside of that, you can do everything else... low-light, background blurring & ultra sharp...
 
Though the Canon 50 mm f/1.8 has a nice price point, it has bottom of the barrel build quality, tends to break into 2 large non-repairable pieces if dropped, and has some image quality issues.

The notable IQ issues are:
1. Soft (not sharp) focus when used within the 2 widest stops of lens aperture, though from f/3.5 on focus sharpness is pretty good, until diffraction effects start affecting focus sharpness at small lens apertures.
2. The Canon 50 f/1.8 only has 5 aperture blades. Plus the blades are straight and have sharp edges. All those low price point attributes make out-of-focus (OOF) areas in the background have a jittery, nervous, unpleasant look to them (low quality bokeh. Bokeh is not adjustable).
 
Not to be rude but what exactly are you trying to accomplish? Buying lenses for the sake of buying lenses just results in extra lenses laying around! I always recommend that a lens - or any other piece of photographic equipment - is purchased for one of two reasons:
1) To address a specific limitation in what you currently have.
2) A specific area you want to improve or move into.
(keep in mind that this could be better addressed through a new body or other gear, such as a flash too! Doesn't have to be a lens).

For example, last fall I did a photo shoot with some friends who's young kids where running around like crazy (no control really). To make matters worse, I had a limited AF system (older 11-point system) and was using my 85 1.4 "foot-zoom" lens. Both the camera and the lens worked exceptionally well in other cases but not here! So, I decided to save up for and upgrade both my lens and body: body for a 51-point AF to provide better tracking and a 70-200 2.8 to keep up with kids. The upgrade thus addressed a specific need and therefore has been an extremely useful purchase.

So in your case, what do you hope to improve? Low-light? Portrait? Macro? Portability? Landscape? If you could tell us that and give us your budget, I'm sure we could point you in the right direction!
 
50mm isn't particularly good for landscape and architectural. For that you probably want focal lengths between 10 and 35mm.

I sorta never got the point of the Canon 50mm f/1.8. It's simply not good enough at f/1.8 to really be worth using until you get to about f/4. And if you're limited to f/4, what's the point in paying $100 for a lens with only one focal length? The reason to buy primes is for their abilities at low f stops and sharpness. The 50mm f/1.8 isn't really all that good at either of those. And yeah, it has a major known issue of breaking into two pieces, as multiple regular posters on here have reported. This isn't like it happens if you toss it across a room. I've seen it happen to somebody when they were quickly walking with the camera on a strap around there neck, because the camera just happened to bounce a little funny off their stomach​
 

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