Destin: I sincerely hope that you will be able to try to replicate my 20-foot FX and 34.5 foot DX, full-length portrait example; the definition of the words direct and indirect will become more clear once you see that you can NOT create the same image UNLESS the camera-to-subject distance is altered, materially. There is a direct link, as it relates to creating the same picture, while using same, exact lens, but when also using two, differing format sizes.
You've brought up a point abut depth of field in a final print; that if you do crop the images, you CAN get the same apparent DOF look from two different format cameras. But that is not the normal way to use a camera....there's no sense in shooting on a big, large, high-definition piece of film, and then tossing 40,50,60,70,90 percent of the image captured into the trash, in order to make an 8x10 inch print that approximates the look of a 110-film format capture.
I GET where you are coming from, and yet, and yet earlier, you seemed to indicate that you did not understand that CROPPING THE IMAGE changes the depth of field...so...kind of weird...you've got the concept half right...you have a point.
Anyway...making the SAME PICTURE: try my experiment, please. Do not crop an FX image, but instead, shoot the full-length shot at 34.5 feet on APS-C, then use a full-frame camera from 20 feet away. See whatcha' think!
And, as Ysarex said--it is indeed silly to compare a cropped FX image with a DX-shot image...please try the 20-foot FX versus 34.5 foot APS-C comparison with whatever single focal length lens you havbe at hand (50mm,85mm, or one end of a 70-00 zoom, etc,).