That's what I've found too, it depends on the time of year and angle of the sun. If it's a nice sunny day I'll often get sharper edges than an overcast day - UV lights works either way. I set up a small table in a window so I do more in spring or fall when the sun isn't overhead and I get more light coming in.
I did try coating, so far so good! for anthotypes which is another story. Anthotypes use plants and as I've since found out from reading the book, can't be fixed and will fade over time. So I'm not sure how much I'll do with those but the book (from Mallin Fabri of Alternative Photography) is interesting. I tried leftover easter egg dye which was supposed to work but got bupkus, absolutely nuthin'! LOL Maybe I can recoat for cyanotypes and get yellow and blue? purple and blue? a muddy looking mess??
I've been doing lumen prints mostly (same idea) using vintage B&W photo paper and I really like doing those. It's been a learning process, looong exposures are better (that's why the table in the window to leave them) because the fix can wash out a lot of the color. Depends on the dilution of fixer, and the paper, Kodak Velox being my favorite, it turns a rich purple color.
I've seen the fabric for cyanotypes, I do some quilting so was thinking I'd like to try that eventually (add it to the list of things I'll get around to one of these days!).