Brandon Hill
TPF Noob!
- Joined
- Sep 30, 2010
- Messages
- 148
- Reaction score
- 94
- Location
- Seattle, WA
- Website
- brandonhillphotos.com
- Can others edit my Photos
- Photos NOT OK to edit
Hey guys,
A while back I photographed an editorial portrait for Seattle Metropolitan magazine. I thought I'd share the concept behind it along with the setup.
Vision:
The woman's name is Sheila and she is a leader in Seattle helping prevent sex trafficking and underage prostitution here and in the Northwest. She's got an amazing story of redemption herself so the art director and I wanted to capture her moving out of darkness; in a way of a symbol for herself as well as what she does to help the young women at her organization. The title of the article was "Night Light", which was strong way of the writers to play off the term, "Night Life".
It took a short time before she was providing the expression that really worked for us. I really wanted her relaxed, contemplative but for it to not feel posed so my first and only objective was to make her feel at ease. Seeing these big lights in a studio is intimidating for someone not used to it and who knows she's going to be the subject.
Setup:
I used a black seamless for a backdrop, and one light through a soft box. The softbox was on a boom with wheels so i could adjust it very easily. To achieve this very soft light on her face, the light needs to be close to the face so I used almost like a strip box, and moved it just about as close as I could without being in the frame.
I wanted very little light on her body, just enough for context. I placed the softbox so it was a little behind her. That way part of her face fell into shadows but the part showing was very soft. Also, because of her fantastic hair, we benefited from this subtle backlit halo coming from the direction of the light.
Post:
Not too much, I just created an adjustment layer in photoshop that desaturated her a little, then added a color layer that brought out some sepia tones to harmonize her hair, face and wardrobe.
You can read the article in full here: Sheila Houston, Finder of Lost Children | Seattle Met
A while back I photographed an editorial portrait for Seattle Metropolitan magazine. I thought I'd share the concept behind it along with the setup.
Vision:
The woman's name is Sheila and she is a leader in Seattle helping prevent sex trafficking and underage prostitution here and in the Northwest. She's got an amazing story of redemption herself so the art director and I wanted to capture her moving out of darkness; in a way of a symbol for herself as well as what she does to help the young women at her organization. The title of the article was "Night Light", which was strong way of the writers to play off the term, "Night Life".
It took a short time before she was providing the expression that really worked for us. I really wanted her relaxed, contemplative but for it to not feel posed so my first and only objective was to make her feel at ease. Seeing these big lights in a studio is intimidating for someone not used to it and who knows she's going to be the subject.
Setup:
I used a black seamless for a backdrop, and one light through a soft box. The softbox was on a boom with wheels so i could adjust it very easily. To achieve this very soft light on her face, the light needs to be close to the face so I used almost like a strip box, and moved it just about as close as I could without being in the frame.
I wanted very little light on her body, just enough for context. I placed the softbox so it was a little behind her. That way part of her face fell into shadows but the part showing was very soft. Also, because of her fantastic hair, we benefited from this subtle backlit halo coming from the direction of the light.
Post:
Not too much, I just created an adjustment layer in photoshop that desaturated her a little, then added a color layer that brought out some sepia tones to harmonize her hair, face and wardrobe.
You can read the article in full here: Sheila Houston, Finder of Lost Children | Seattle Met
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