The car one does look more like the fake miniature effect than real out of focus bokeh. If yo want a great bokeh lens, there's no need to spring for the Canon 85/1.2 L; you'd get prettier bokeh with less green CA from a used Nikkor 85mm f/1.4 AF-D lens. The Canon f/1.2 throws the backdrops out of fous, but has an unfortunate tendency toward double-lining and making hash on real-world items like tree branches, foliage, and anything that has a strong "line" in it.
If you want pretty bokeh,seriously, consider the Nikon 85/1.4 and an inexpensive $17 bronze adapter to plop it onto your Canon. You'll get better bokeh, and the focusing will be pretty fast by hand on a decent Canon body.
Or, if you want a longer lens with *adjustable* bokeh, look into the Nikkor 105mm f/2 AF-D Defocus Control lens. That lens is one of the absolute best Nikon lenses when shooting right toward bright lights--strobes, monolights, or the sun. It is one of the easiest-focusing lenses ever made,and has adjustable background defocus,as well as built-in adjustable soft focus/diffusion.
To me, somebody who's a bokeh fanatic, using adapted lenses on Canon bodies is the way to go to get bokeh that a particular Canon lens simply cannot deliver, or just to use lenses that happen to be for Nikon mount on bodies other than Nikon. The Photoshopped bokeh effects always look faked because,well, they are faked. Each lens has its own drawing style and its own bokeh signature; where the PS fakery really falls flat on its face is when you have point light sources in the background--like Christmas tree lights, or water droplets, or simple light areas coming in through foliage...PS fakery will not work on those situations--it cannot render the point light sources realistically. You ought to consider owning at least 1 or two Canon to M42 thread mount adapters and 1 or 2 Canon to Nikon F mount adapters; there are 50 years worth of older MF Nikkor lenses,some with good,unusual bokeh, that will plop right onto a Canon body, like the 85mm f/1.8 Nikkor-H, and the 35mm f/2 Nikkor O.C. Both have bokeh that can not be replicated by modern lenses.