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- #1
I have always used the AF point toggle switch to focus on my subject. With the limited focus points on the 5100, I do sometimes have to back it out a bit to get my main subject under the closest point then will crop it afterwards to fit my ideal composition. I have missed the occasional shot due to fussing with the AF points, especially when trying to take candid family photos. I see a lot of posts on here mentioning the focus and recompose method so starting to wonder if I am missing the boat.
I can see how focus and recompose will work in a very controlled environment but if that is what you are working with, why not just use the AF points? If you recompose and move the camera and change the angle even slightly, or your subject moves a bit while you're recomposing, wouldn't that throw the focus off? (I'm thinking head movement with a children's portrait) Is it only an issue if you're wanting a shallow DOF? I'm going to work on focus/recomposing this week to see if I find it easier/faster/more accurate than my usual method. Any tips for doing it correctly? Any pitfalls to watch out for? When you shift the shot to recompose, do you move the camera or yourself? Does it make a difference? I do understand the need to not release the shutter after focusing.
I can see how focus and recompose will work in a very controlled environment but if that is what you are working with, why not just use the AF points? If you recompose and move the camera and change the angle even slightly, or your subject moves a bit while you're recomposing, wouldn't that throw the focus off? (I'm thinking head movement with a children's portrait) Is it only an issue if you're wanting a shallow DOF? I'm going to work on focus/recomposing this week to see if I find it easier/faster/more accurate than my usual method. Any tips for doing it correctly? Any pitfalls to watch out for? When you shift the shot to recompose, do you move the camera or yourself? Does it make a difference? I do understand the need to not release the shutter after focusing.