I think I agree with Forkie on this one. 2 is better than 1, but neither is very interesting. I think a better approach would be to get closer to the wall and create an abstract using portions of the graffiti and the varying textures of the wall. As Forkies states, this graffiti is not the artistic type and doesn't contribute favorably to the composition. Additionally, the curved nature of the wall when shot straight on looks like lens distortion. Perhaps shooting the wall from different angles other than straight on could add drama to the image. I think this is one reason #2 might seem better, as the hole in the wall breaks the negative impact of the walls curve.