IMO you had the main light to high did not otherwise get sufficient light to his eyes. i suspect the look in his eyes conveys an intensity and dedication to purpose that we cannot see with the lighting you used
I was taught that the nose shadow should never cross the upper lip line as a way to prevent dark eye sockets.
Notice how the shadow of his nose goes well below his upper lip line.
I would also suggest there should be better separation of his dark jacket from the background and that the highlights on his face are under exposed at least 3/4 a stop after checking the highlight values using Camera Raw. Adding 3/4 or a stop provides the needed jacket separation.
IMO you had the main light to high did not otherwise get sufficient light to his eyes. i suspect the look in his eyes conveys an intensity and dedication to purpose that we cannot see with the lighting you used
His eyes were a real challenge as he has very prominent brow ridges; I do have other images where I've changed the lighting slightly, but at the same time, continuity between all the images in the series is important (to me), so the changes aren't huge. I'll post a couple more when I get them processed.
I was taught that the nose shadow should never cross the upper lip line as a way to prevent dark eye sockets.
Notice how the shadow of his nose goes well below his upper lip line.
I would also suggest there should be better separation of his dark jacket from the background and that the highlights on his face are under exposed at least 3/4 a stop after checking the highlight values using Camera Raw. Adding 3/4 or a stop provides the needed jacket separation.
The 'dark on dark' is also deliberate. The background is actually much lighter in the unprocessed file, showing lots of separation, however for whatever reason, I like this look for this project.