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How do you do this?

It's both.

It's a technique that uses a rig (arm) attached to the car and the camera is mounted to that, and uses a long exposure. The camera thus moves with the car, enabling it to stay in focus. The photographer states in one of the posts in the thread that he had his rig built special by an engineer friend of his.

Post processing of the shots include cloning out any evidence of the rig itself from the shots.
 
ah.... a camera mounted to the car is what he's referring to as a rig. I get it now.

I'm still very new to all of this! There is tons of info and techniques and ideas and all that! I'm so overwhelmed at times!

Anyway, Thanks very much. :)
 
This is mostly lighting and grip. Grip a rig to the car and drive real slow with long exposures. The rest of it was done with a softbox, you can see in the paint.
 
ah.... a camera mounted to the car is what he's referring to as a rig. I get it now.

I'm still very new to all of this! There is tons of info and techniques and ideas and all that! I'm so overwhelmed at times!

Anyway, Thanks very much. :)
Always glad to help if I can. :thumbup::)
 
This is mostly lighting and grip. Grip a rig to the car and drive real slow with long exposures. The rest of it was done with a softbox, you can see in the paint.

Which photo shows it in the paint? I don't know what I'm looking for.
 
couldnt this also be done with 2 seperate photos and make a composite in photoshop?
 
In those rolling rig shots the car is moving at about walking speed (3 mph).

couldnt this also be done with 2 seperate photos and make a composite in photoshop?
Yes, it could be done that way, but it wouldn't look as good, nor be as easy to do, as with a camera rig attached to the car that is edited out of the shot post process.
 
This is mostly lighting and grip. Grip a rig to the car and drive real slow with long exposures. The rest of it was done with a softbox, you can see in the paint.

And an ugly car
 

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