Torus34
No longer a newbie, moving up!
- Joined
- Jan 26, 2006
- Messages
- 2,117
- Reaction score
- 37
- Location
- Tottenville, Staten Island, NYC USA
- Can others edit my Photos
- Photos OK to edit
I've used the word 'impact' in several comments in the past. It's not a term which pops up often in discussions of photographs. Perhaps it's time to define what I mean when I use it.
There are all sorts of photographs: snapshots, record shots, landscapes, portraits, commercial spreads, fashion photographs, photojournalistic documentations, etc.
In almost all such categories there are shots which range from just plain bad to ho-hum to uh-huh to 'nice' to Wow!. It's the 'Wow!' prints which have 'impact'.
Examples: From The Family of Man - Nat Farbman's Bechuanaland photograph on P. 51 [photojournalism], Dan Wiener's photograph [portraiture] on P. 173, Al Chang's photojournalist shot, P. 149, W.C. Rauhauser's humorous print on P. 130, Ronny Jaques' print - which falls into no specific category -- P. 160 and the juxtaposition of the prints by Nat Farbman and Alfred Eisenstaedt on pages 120 & 121.
Whenever I look through this marvelous book, it's these prints [and several others] which bring me to a screeching halt. They have impact. They have something universal and important to say to me. I would be proud to have taken, in my entire lifetime, one single image with the impact of any one of these.
When I say that a good picture has something to say and a great print says something important, it's these which I have in mind.
Jim/Torus34
There are all sorts of photographs: snapshots, record shots, landscapes, portraits, commercial spreads, fashion photographs, photojournalistic documentations, etc.
In almost all such categories there are shots which range from just plain bad to ho-hum to uh-huh to 'nice' to Wow!. It's the 'Wow!' prints which have 'impact'.
Examples: From The Family of Man - Nat Farbman's Bechuanaland photograph on P. 51 [photojournalism], Dan Wiener's photograph [portraiture] on P. 173, Al Chang's photojournalist shot, P. 149, W.C. Rauhauser's humorous print on P. 130, Ronny Jaques' print - which falls into no specific category -- P. 160 and the juxtaposition of the prints by Nat Farbman and Alfred Eisenstaedt on pages 120 & 121.
Whenever I look through this marvelous book, it's these prints [and several others] which bring me to a screeching halt. They have impact. They have something universal and important to say to me. I would be proud to have taken, in my entire lifetime, one single image with the impact of any one of these.
When I say that a good picture has something to say and a great print says something important, it's these which I have in mind.
Jim/Torus34