Since backpacking is a hobby of mine, I have lots of photos like this one, foggylens. I am struck by a beautiful mountain top view and want to "get it all in", so I point and shoot. Then I noticed that my favorite mountain shots were of subject either closer to me, or, in distant views, of a much narrower subject, ie. not the wide angle view.
So, ask yourself, "What is this a picture of"? Is it that cloud? Is it that tallest summit in the center? Is it the snowy shadows of the closer trees?
I am trying to say, "Narrow down the focus of your photo and zoom in on that".
Does the dark foreground add to the picture? I say, no. Does that spec of cloud? No. If it is the cloud that you like, and I do, then make that cloud your photo. If it is the blue of the sky you like, get more of it and include more sky, by putting the white mountain range at the bottom, omit the tree line.
Usually, I would opt for less sky unless I am after billowing or dramatic clouds.
Okay, if that is as close as you can reach with your camera, crop the photo down when you edit. I like the white mountains, Have them fill your photo.
Crop out the dark foreground. Crop out the wisp of cloud.
In short, what is the main subject of the photo. Narrow that down and emphasize it with cropping. For me, you have tried to include too much in the photo.
I have a wonderful book on Yosemite filled mostly with color photos by William Neal. The Sierras are filled with spectacular 360 degree views of distant mountains. However, 90% of Neil's photos are of small sections. Small segments of the world close-by around him. Trunks of the huge trees, not the whole tree. A photo filled with flowers, but not the whole field, just a segment close-by. Tree limbs covered in snow, or tree tops without leaves with fog bank or mist just beyond.
But, when distant mountains are in view, it is the foreground that is most dramatic, such as reflections of a lake, or a dramatic rocky face. The mountains are left in the distance. The cover is a picture of El Capitan, but is it, really? There is only the top of the peak showing, the foreground has the shadowy silhouettes of tree branches and cloud. The light is dramatic throughout.
Do not try to get too much into your landscapes! That is what I have learned.
Back to you photo. I like those white mountains and the play of the sun on them bringing out the ravines. So crop out all of the dark ridge line and trees in the foreground. Bring in the left edge, maybe even leaving out the first white mountain, right at the point where the incline up to the tallest summit begins. Lower the sky almost all the way down. Bring in the right edge to include only that last peak with the sun on it, crop out the nearly flattened tree line leading to the right edge of your photo.
Re-read dxqcanada. His tech data is really saying the same thing. Why make it so hard on your camera's light meter? Give it one thing to focus on!
You have caught those mountains at a nice time of day. Makes me want to take a hike, but not jump in a lake as you might want me to!