Would it have been better if i cropped out the chairs and mics, taking out his legs above the knee as well?
I'll work the post processing again and post it up for more C&C.
Thanks guys.
It would have been better to have composed the shot without the chairs and the mic in the first place
If you're new and you want some advice, the first thing I would tell you is see the shot from start to finish. My first photo editor at my first newspaper would send me out with a fixed 14mm a fixed 28mm, a fixed 105mm and a fixed 300mm back in the day. I hated it but it taught me so much about composition.
"Crop with you legs" he would tell me, meaning move around and get the photo composed right before you snap the shutter instead of trying to fix it up after the fact in post-processing.
As for the photo, if you like the noise go with it. It doesn't bother me much although I feel the grainy look works better when you have unique lighting situations or are going to move the photo into B&W. I also think you're too low on the subject. Getting low and wide is a good technique that I use often but you're too low on the subject. I say that because his face is kind of hidden and most of your frame is his legs.
You don't "fill the frame" as they say either with your subject, which is why you are stuck with the chairs and mic (see above).
Finally, blue laser beams through the head should be the first clue that this photo is worth passing up when you are previewing your raw take. Anytime you are shooting this kind of event I would imagine you're coming away with enough photos that you can find one that doesn't require you to clone out blue lasers from people's head. Even though it's possible to do, it's time consuming and until you get really proficient at it, trained viewers will see the scar from your surgery.