Gary, the Fuji X-T1 looks interesting. I haven't considered it at all but lately I've been hearing a lot of good things abotu Fuji and this camera looking really interesting. I may have to add this to the list along with the Sony and Olympus.
Jaomul I'm not really that crazy about Nikon to tell you the honest truth. I've played with several APS-C Nikons and I've never been blown away by them. I mean don't get my wrong they definitely take beautiful pictures and perform well but something about them never really excited me much. Besides I really want a mirrorless system.
I'm just a little confused now because originally I thought an MFT or APS-C sensor would both be more then big enough but some people are making it seem like if you really want to be future proof FF is the way to go which means my only option is to invest in the Sony A7 system from now.
Gary you seem to have used the entire spectrum from FF-APS-C-MFT. What made you move originally from FF to MFT and were there any downsides in your opinion? Additionally if you liked MFT what was the reason that you jumped ship again and moved over to Fuji APS-C?
mmmmhhhh ... okay here's the long story. I used to be a professional photog, a photo journalist. When I was shooting for a living, camera size didn't matter. You used what was required to get the job done. It didn't matter if the camera weighed 15 pounds or five pounds ... it is what it is, the only thing that mattered was the final photograph ... the only person that cared about the effort was your Mom and she wasn't signing your checks.
Now I'm a hobbyist. For a long long time I was shooting FF (1Ds). I always used the best and I wanted the best. Then I snagged a GF1 just as a fun camera. It was a great little camera ... up to an 8x10 there wasn't a significant difference between the GF1 and my 1Ds. Then Oly came out with the EM5 that that was a game changer for me. Good high ISO, sharp and fast lenses with much much greater resolution. The camera couldn't track, but with the lighting fast SAF I could still shoot action, it was harder and I got a few less keepers ... but what the hell. It was a quarter the size and a fifth of the price and for what I shoot and how I shoot the differences in IQ was not significant.
Then one day I was in the camera store and I stopped this sexy little number. I got my hands on it and if felt so good, it was solid, the controls were where I left them on my film camera. So I purchased X-Pro1 on the whim of looks alone (Yes, I am that shallow.) After I looked at a few of the images I softly whistled and thought "Man, this thing can take a hell of a picture." The XP1 was slow. It does everything slow, a real dog. When the sun went down that dog started howling. The EVF and AF were simply terrible in low light ... which is quite unfortunate because the high ISO IQ is as good as my FF. I loved the camera so much that I worked at making the camera work for me. My 1Ds and EM5 are very fast performing cameras. You can shoot them in a near reactionary manner ... you see a shot and boom, boom, boom you got it. The Fuji was a fraction of a second slower, but that fraction is like night and day in an uncontrolled environment. So I had to go back to my roots, back to my film days and anticipatory shooting methodology. With the original Fuji I had to be extremely alert, I have to spot the image before it occurs, move to the best sport, set-up ... wait for it ... wait for it ... then boom. I got less keepers but the keeper I did capture had exceptional IQ, (Fuji lenses are wonderful hunks of glass and the sensor renders a bit different than your Bayer sensor.), and the image slightly better composition because I had to give it more thought. After my initial frustration of working with the slow first generation camera, I actually appreciated that Fuji made me exercise my old skills and that exercise actually made for superior images.
Now I'm shooting with second generation Fuji. The Fuji's AF is as least equal to the Oly EM1. (Oly has better tracking and face detection.) X-T1 has better controls and a much much better EVF. The bottom line is always the final image and Olympus images, to my eye look very digital-ish, while the Fuji images look film-esque (the 1Ds look somewhere inbetween Oly and Fuji.) The difference between Oly and Fuji images isn't glaring ... but I can see it. I shoot a lot of high ISO stuff and Fuji kicks butt at higher ISO. At 3FPS and less, both the Oly and Fuji EVF's appear to be seamless. You can dial in auto levels and the EVF will pretty much keep an even EVF image regardless of ambient light and camera settings or you can dial out auto EVF levels and the EVF will reflect what the camera sees. If you're underexposed, then the EVF will be dark, et cetera. (Sure you can use the LCD on a dSLR for this, but with the EVF you can see you exposure in real time on the fly.)
When you look at mirrorless ILC's you have to remember that mirrorless is different than a dSLR. Not different good or different bad ... just different. It took me a lot of shooting time to get comfortable with my mirrorless and I still haven't harmonized with my Fuji's, which is ultimately where I want to be.
I like having a non-mainstream camera. I like having sexy equipment. While I still have a mindset of the only thing that matters is the final image, I definitely appreciate the significant weight reduction of two Fuji's as opposed to two IDs.
Gary
PS- dyous87, if you're in SoCal I'd be happy to meet up and you can play with the EM1, X-T1, X-E2, X-Pro1 and/or X100s.
G