when i am focusing the nikkor af 35 - 80mm lens at something more than 15ft away (how far the markings on the lens go before the infinite symbol) it seems to me that, through the viewfinder, the object is just slightly better in focus if i don't turn the focus ring quite as far as it in the direction of the infinite symbol. even though the object is way past 15ft. and i mean just a fraction less on a millimeter less than the focus ring will turn before maxing out.
is this just because my vision isn't quite perfect and even though it looks better in focus to me it's really out of focus? or am i doing it right and all the way clockwise of the focus right is for off into the horizon, not 35 feet away? or am i just imagining things, because it's such a slight difference?
the camera is a n2000, so i can't check myself with an autofocus feature.
Learn your equipment. Nothing against Derrel's information but knowing your lens has a "hair trigger" is not exactly "knowing your equipment".
I will assume you comprehend depth of field, have a flexible DOF calculator available and you understand your lens will be sharper all around at its mid-aperture settings.
If you carry a smartphone, this is available as an app;
A Flexible Depth of Field Calculator Simply substitute "film plane" for "sensor".
You are at a bit of a disadvantage with a film camera since it will cost you some money to perform the tests I'm about to suggest. However, attach your camera to a tripod and pick your subject for an "infinity" shot. It's best to use a remote trigger for this test if you have any sense your shutter technique might lead to some blur despite the camera being locked on a tripod. If you lack a trigger, just make sure you are not jabbing at the shutter release. Depress the release gently and hold it until you hear the camera complete its cycle.
Knowing the actual single plane of perfect focus is extremely thin, you are looking for the setting which provides the greatest amount of acceptable sharpness both in front of and behind that plane. That is a basic description of the "hyperfocal distance" you will typically operate from;
Understanding Your Camera’s Hyperfocal Distance
Once you grasp the idea of hyperfocal distance, adjust your camera's settings to achieve equivalent exposure as you manipulate the aperture control. Take a series of test shots which you feel will inform your work when selecting both aperture and focus adjustments. In other words, make small, slow and incremental adjustments to the lens to indicate where your lens achieves its greatest sharpness over the greatest distance.
Take along a small journal to track your settings against shot number. You will need this information to make sense of the test results.
As I read your op, I feel you are mistaking exactly what you see through the viewfinder to be what is happening at the film plane. IMO, that's not exactly how your camera is operating. Certainly not with a vintage camera at least. You are also assuming the infinity markings on the lens are perfect which they probably are not. As noted, tolerances for vintage lenses allows a certain fudge factor in your adjustments. Wear and tear over time adds to that allowable "rightness".
Develop your shots to the largest print size you can afford and then exam your results using a magnifying glass or even a loupe if you are hyper-critical of your work.
You need to be concerned with your results on film and when they are printed, not what you see in the viewfinder.
I would say don't allow the distortions of your lens to color your perception of the results but know they are there and certain settings will make them more evident.