The F4 Corsair (an aircraft used heavily for ground support as well as air-to-air combat) had gull wings so it's not bent or broken--that's how it looks. If the plane was flying right at you, it would look like a somewhat flattened "W" b/c of the gull wings.
Okay, a number of thoughts:
1. Nice photos and nice scale models. My favorites are #3 and #6 (though I wish the DoF was longer in #3 so the tail was sharper).
2. If you want to combine the two scales, put the 1/72nd scale model in the background (so they'll appear the same size but the smaller scale is a more distant aircraft).
3. Nice weathering but there are a couple of tips if you're going to shoot closeups or stage them for realistic looking photos. Let me give you a few examples...you'd see more paint flakes and oil streaks on a real aircraft (and that would show up on #3 in particular). The tires would show some bulge on the bottom (as if they were holding a lot of weight--which they would be in real life). Try using something like Letraset on the decals so they look painted on (rather than provide a reflection as in #3 and #6). Additionally, since these are stationary aircraft, add the requisite tarmac junk. At least wheel chocks, Maybe an open engine or a tool box or a jeep in the background or a couple of hazy figures in the distance. By using bokeh, you can create add a lot of background (huts, figures, vehicles, equipment, signs) that will be out-of-focus but just suggestive enough to make your model look like more than just a scale model on the sidewalk.
4. Here are a couple of sites that offer a wide range of tips and techniques on staging models for photography. One of them (David Levinthal) is famous for his work using models to attempt to create stylized "real" photos...I saw his exhibit at the Corcoran. Just as a general tip, for good diorama or scale model photographs, you actually want to break a bunch of the rules of good photography. For instance, you'll intentionally add "clutter." Or you'll obscure part of the foreground (like shooting a model tank through the window of a destroyed house so the wall of the house obscures much of the foreground but provides a realistic setting. Or you'll put scenery of mountains behind a model train so it doesn't look like a train in a sandbox).
http://www.davidlevinthal.com/works.html
Lori Nix
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