Foreword. My deepest apologies to Steph, because I'm about to hijack this thread a little. I hope you'll pardon me.
W.Smith said:
OK, I think they're empty and too saturated.
Sorry.
I've got some criticism for your criticism. It sucks.
But, unlike your criticism, I will attempt some sort of reasoning and make some suggestions.
I read through
every post you've made on this forum, and you obviously have a wealth of technical and artistic knowledge. But, I had to read through every post you ever made to realize that. Until I did, I just thought you were a spiteful troll.
And I did have to read through all of it to realize those good qualities. Otherwise, your criticism is harsh, asinine in context, and useless to the photographer you give it to. Not because it isn't valid, but because it's left completely unfounded and has no alternate suggestions or reasoning. Your method of critique might as well be just flipping a coin to decide whether to debase someone or compliment them. Because to new photographers, that's about the same level of assistance. Fat lot of good that knowledge does you, eh?
Details allow the person taking the photos to improve in technical skill, and mabye, someday, make photos you feel that don't entirely suck ass. It also allows them to blow you off when you're criticizing aspects of their photography that they intentionally incorperate. I get flak very often for my framing. But that's because I like bizzare and cropped framing, and don't care in the least what anyone else thinks about it. I also like weird lighting, and I don't light the things people want me to light. Again, I don't care. But the critcism can still be valid. And because a detailed criticism has been given, that information and perspective can be incorporated next time a person peers down the viewfinder.