I
Iron Flatline
Guest
Hi everyone.
I finally had a chance to join some photographers that I'm friends with. They shoot fine art nudes - with subsequent gallery shows and sold books, so it was a nice way to get to know the process. I got to work with experienced model photographers and models.
I've done a couple of shoots so far, but must admit I prefer doing posed shots with props (à la David LaChapelle or Tim Walker, if I may briefly reach for the stars.)
I have one or two images that I like, but in general I'm experimenting with processing styles. I'm still trying some out, but haven't hit a groove yet... so I thought I'd ask some of you. Below are some images from two different sessions, with the respective CR2 RAW file for those of you who might want to take a crack at it.
Please feel free to edit these or work on the original RAW files, and then tell us what you did...
I print on A4 High-Gloss paper - roughly 8.5 x 11 inches. It strikes me as the appropriate size for this work. Some of these images have been slightly cropped, as well as dodged and burned, but I haven't really done any full creative processing on them. I added frames for the prints I made, and simply resized them for link-up to TPF.
At Wall with Helmet
The first one is my favorite. I like the textures, the colors, and the model. I'm extremely happy with this shot:
The RAW file is 23 MB, you could download it here.
In car with Scarf
The second one is fun, it has a voyeuristic element to it. The coloration is a result of the tinted glass, as are the textured reflections.
The RAW file is 20 MB, you could download it here.
At Wall with Vines
This shot has potential, but I haven't found a creative processing that I'm happy with. I've tried some antique scratched surface styles, but I must admit it's not something I do a lot of, and I wasn't happy with the results.
The shot isn't perfect, and I definitely made a mistake with the faux-film framing. It's distracting. But technically all the data is there, so I could bring out details as I choose.
The RAW file is 25 MB, you could download it here.
At Entrance with Dino
This shot is cute in the context of the shoot, but as a stand-alone image it isn't that strong. (We were going for hot alien cosmonaut coming to earth to seek treatment for her sick pet dinosaur.)
The RAW file is 23 MB, you could download it here.
At Tree With Mask
This shot is my problem child. I'm not even convinced it works, but it certainly requires some processing. It certainly doesn't work straight-forward in color. I love the texture of the tree, and the old building in the background.
The RAW file is slightly smaller (12 MB) and could be downloaded here.
Ok, thanks for taking the time. Any constructive comments would be appreciated.
I finally had a chance to join some photographers that I'm friends with. They shoot fine art nudes - with subsequent gallery shows and sold books, so it was a nice way to get to know the process. I got to work with experienced model photographers and models.
I've done a couple of shoots so far, but must admit I prefer doing posed shots with props (à la David LaChapelle or Tim Walker, if I may briefly reach for the stars.)
I have one or two images that I like, but in general I'm experimenting with processing styles. I'm still trying some out, but haven't hit a groove yet... so I thought I'd ask some of you. Below are some images from two different sessions, with the respective CR2 RAW file for those of you who might want to take a crack at it.
Please feel free to edit these or work on the original RAW files, and then tell us what you did...
I print on A4 High-Gloss paper - roughly 8.5 x 11 inches. It strikes me as the appropriate size for this work. Some of these images have been slightly cropped, as well as dodged and burned, but I haven't really done any full creative processing on them. I added frames for the prints I made, and simply resized them for link-up to TPF.
At Wall with Helmet
The first one is my favorite. I like the textures, the colors, and the model. I'm extremely happy with this shot:

The RAW file is 23 MB, you could download it here.
In car with Scarf
The second one is fun, it has a voyeuristic element to it. The coloration is a result of the tinted glass, as are the textured reflections.

The RAW file is 20 MB, you could download it here.
At Wall with Vines
This shot has potential, but I haven't found a creative processing that I'm happy with. I've tried some antique scratched surface styles, but I must admit it's not something I do a lot of, and I wasn't happy with the results.
The shot isn't perfect, and I definitely made a mistake with the faux-film framing. It's distracting. But technically all the data is there, so I could bring out details as I choose.

The RAW file is 25 MB, you could download it here.
At Entrance with Dino
This shot is cute in the context of the shoot, but as a stand-alone image it isn't that strong. (We were going for hot alien cosmonaut coming to earth to seek treatment for her sick pet dinosaur.)

The RAW file is 23 MB, you could download it here.
At Tree With Mask
This shot is my problem child. I'm not even convinced it works, but it certainly requires some processing. It certainly doesn't work straight-forward in color. I love the texture of the tree, and the old building in the background.

The RAW file is slightly smaller (12 MB) and could be downloaded here.
Ok, thanks for taking the time. Any constructive comments would be appreciated.
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