bogeyguy
No longer a newbie, moving up!
- Joined
- Apr 6, 2011
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- 1,064
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- Pittsburgh, Pa.
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Holy nipples!
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Scatterbrained - I agree mate, however that gets us into another debate about intension and whither a piece of art could be interpreted in a way that the artists doesn't mean. I'm also having a debate with along similar lines with one of my friends in "real life" which means I need to verbalize my opinions and solidify my reasoning. So this kind of thing helps me think these things out.
I just think that there may be more to this photo than first impressions and I think it has been dismissed a bit to easily after I saw it.
The thing is, it's not the cut off feet that make that image significant, so telling us we should see the relationship between the images through the cut off feet is quite an ask. The boy in the image has an exuberant expression and posture that exude happiness and self confidence, a mood that is significant as the shot itself was done in France right after the war; it both captures a decisive moment while also portraying in it the mood of the country at the time.
What makes HCB's shot work is precisely that we don't understand the boy's expression and manner. We are free to imagine a world of possibilities, we can write our own narrative to surround and support the picture.
This is not true of the picture shown here. The surrounding narrative is obvious, to the point of crystal clarity. We know pretty much exactly what is in everyone's minds in the shot. And this is, precisely, why it doesn't work. There's no there, there. Yes, it's a moment, captured. So what? I just had a moment, ooops, there went another, and another. Why do I care about *that* moment? What is interesting about *that* moment, as opposed to the one before it and after it? We've heard what makes it special, quite precisely -- the girl's tits are not visible in those other moments.
That's not enough to sell a picture to a museum, or to me.
Cover up her boobs ans what is there that makes it interesting?
But the social commentry is, there have been tons of artists who have explored the attitude towards women in society and I'd argure that this could well sit along side them while also providing a bit of commentry on where we are nowadays. There are still questions about this photo that run along the vein that you are suggesting: Is it symtomatic of a society that places so much emphasis on appearance and conforming to the beauty clique that she needs to go further to feel attractive? Does the prevalence of this kind of party image change attitudes towards women given that we're so keen to dismiss this as some other lass with her tits out? There is a lot more that could be discussed about this image.
I'll give you that it's not in the same class as HB's work, however as a shot it still has merit. If Van Gough or others only painted the stuff that people wanted or museums wanted to show at the time we wouldn't have half the valued art we do now. I'd suggest that any work, if it can get us to examine what we as a society are doing now is more valuable than what has been done in the past.
Holy nipples!
WeePete, I think the issue here is that you're putting more thought into this than I've seen from the OP so far. Beyond that, curators and collectors usually want something new that challenges convention. All you have to do is Google search "4 wheeler" and "boobs" and you'll be bombarded with images of girls, 4 wheelers, and boobs. Or you could just watch a "Girls Gone Wild" video. My point being that the material is out there. Is it done as well as the OP's shot? I don't know, I'm not going to spend a bunch of time searching for boobs on the internet to find out, being married and all. . . . . . . . . I think that the point is, the OP tried to draw a correlation between his work and that of Bresson that many feel just isn't there. That doesn't mean that the image isn't good, but I just can't see a curator or collector buying it.
I'd add that if you Google boobs and 4 wheeler none on the first few pages also have the context that is in this shot. In fact I'd say that this image is not about boobs, or the quad. Its about how women are seen in our lives. And that's us that shape and define that, to suggest that there is not a story behind this pic is like saying that HB's pic is just another kid in the street. The real question is does it get people's back up because of the reference to HB (and you can't compare your photos with the recognised masters), or because its about a story we don't want to talk about.
Scatterbrained - I agree mate, however that gets us into another debate about intension and whither a piece of art could be interpreted in a way that the artists doesn't mean. I'm also having a debate with along similar lines with one of my friends in "real life" which means I need to verbalize my opinions and solidify my reasoning. So this kind of thing helps me think these things out.
I just think that there may be more to this photo than first impressions and I think it has been dismissed a bit to easily after I saw it.
Either way, as an artist, if you want your work to be taken seriously by the taste makers in the art world you have to do more than just take the pictures. You have to ascribe a layer of metaphysical pretense to the work. Even if they don't get it, they won't admit they don't get it; instead they'll buy it to look like they get it.