Photo tip...Creating Drama with Backlight

[cameraland]

Creating Drama with Backlight
Professional photographers know the ability to evaluate light’s direction and strength--and how to effectively work with what you have--separates the amateurs from the experts. This developed skill requires us to slow down for a few moments to consider the surroundings and then determine how to use the light to its maximum advantage.
Some photographers shy away from shooting in backlight, which is essentially when the sun or other primary light source is behind the subject. Backlight does pose a few more obstacles than sidelight or front light but it can also create effects simply not possible with more even and ‘safe’ standard light.
Dial Up the Drama: One of the best things about backlight is that it creates a dramatic contrast with your subject. Whether the subject is a wall, a woman or a wave, backlight lends a unique emotional impact.. You can play with silhouettes and shadows by adjusting your subject and your camera angle. Don’t shy away from casting shadows on all or part of your subject’s face as this technique can create a compelling vivid image.
Emphasize the Edges: Backlighting is an excellent tool for creating contrast around the edges of a subject or object. For example, backlighting can heighten any item with an interesting silhouette or circumference. A woman’s hair can appear wild in the wind while the shadow shields her face, creating an air of mystery. You may have to adjust your position slightly to create the effect you envision, but this is part of experimenting with the craft.
Fun with Flowers: One way to understand the impact of backlighting is to photograph flowers or foliage. If possible, position the lens underneath the flowers and shoot with the light overhead. You’ll notice the way the light impacts the fine veins of the flowers, the edges of the petals and how the light spilling between the petals impacts the overall composition. Backlighting doesn’t mean a complete blackout of the subject, which this experiment will demonstrate. Backlighting can bring out a different aspect that escapes other lighting situations.
Never Fear Failure: Backlit images are something that amateur photographers often shy away from, but there is nothing lost through experimenting. In fact, there is much to be gained. Don’t be afraid of failing. You might try this technique a dozen times before you get something you like. That’s the price of mastery--putting your hesitation aside and trying new techniques. You’re not shooting film--the delete key is free--and every session gives you valuable experience that you simply can’t get any other way. Keep trying and experimenting and you’ll soon find your backlit images will go from simple to stunning.

 

[Buckster]

Separated paragraphs are your friend. Wall Of Text = TLDR

 

[KmH]

​* Thread Moved *

 

[Larryphoto]

These are some great tips Joel- I'd love to see some sample images. Might make it easier for people to absorb the info!

 

[Derrel]

Shooting toward the light...the French call it contre-joure...Contre-jour - Wikipedia, the free encyclopedia

These two photos are about ten frames apart. Nothing fancy. Just shoot toward the light.

In regular, flat, front lighting, there would be very little of interest to see in these woods, just a jumble of tree trunks. Shooting with the light behind the subject is something that can be done pretty regularly both early and late in the day in many places. In some locations, there is VERY little sunlight for much of the year, and there are long periods when heavy cloud cover makes the light rather boring and almost truly omni-directional.

 

[amolitor]

Remember, kids:

SHOOT toward the light, not GO toward the light.

 

[sactown024]

Derrl I like that second pic a lot, did you shoot the pic with the sun beams or is that PP