You want dials? Fuji has the dials. Canon's G-series PowerShot models (like the older G11 to be specific) also use a dial approach, and have nice ergonomics and feel more-traditional than most compact digicams.
Sony's A6xxx series cameras have a menu-diving reputation, as do other Sony cams. I recall once a camera sales guy who was a member here on TPF, demo'ing the A6000 for me when it was brand new, and he was working the local Ritz camera. he told me it took 16 button-presses to do a simple operation (I think it was changing the ISO from 100 to 400, perhaps).
Kit lenses being flimsy: well, modern, lightweight industrial polycarbonates feel..,well, light, but the material is tough. Still, it's not 40 years ago, and lenses feel flimsy, yet they hold up amazingly well. I have a Nikkor 28-80 AF-D that must be from 1990 (?), and it feels flimsy as heck, yet still works. Fuji's kit lenses have a reputation for feeling more-solid. But most of today's 18-55 kit lenses and 55-200 type kit lenses feel a bit plastic-y. These are however, $109 and $149 lenses...so..
Fuji lenses cost more, feel better, feel more-solid. When you're the fifth or sixth-place seller, you have to try harder, and make an effort to have an advantage over the brand leaders that sell more and have a bigger established user base. Canon,Nikon,Pentax,Olympus...those companies have a bigger installed base than Fuji, and Sony is Pushing Hard, and Panasonic is out there in the small-body+video segment doing well. Fuji has a more-traditionalist camera look and feel and ethos, but their prices are higher, yet their products FEEL and LOOK better than most others.
I think you have to accept that, 40 years forward, MUCH of today's gear "feels" flimsy, but will still actually hold up, and in fact, when dropped or banged, polycarbonates and industrial plastics often do not dent or scratch up much, and the lens or body tends to keep working.
The Nikon D5300 has a super 24-MP sensor, a flippy screen, and the Nikon F lens and accessory system behind it. Small body, light weight, low price, can use F-mout lenses from 1959 to the present, with either full or partial lens functionality. That is the draw: the Nikon system, and Nikkor lenses and Nikon TTL flashes,and superb light and flash metering. Plus high resolution, and VERY wide scene dynamic range, and although not many people talk about it, Nikon's straight out of camera [usually called SOOC] JPEG processing is very good, especially if one USES THE PICTURE STYLES offered. In a blind, multi-user, color print test done in Canada a couple of years ago, Nikon's printed SOOC images were the overall winner, over multiple brands, even beating out Fuji's alleged "beautiful JPEGs".
I dunno....there are a LOT of neat cameras out there today. Some offer intangibles, others offer very definite technical advantages, some offer beautiful camera appearance and handling, and so on. I think good pictures can be made by anything fairly new, even under tricky lighting. But....there are some cameras that will excel, where others will struggle somewhat. Bottom line: buy a camera you LIKE. If you want an expensive or higher-end model, buy it off the used market, and get that expensive model for a lower price.