Combine the information form the two posts above….. both are accurate. But a bit more on the trade offs.
For APS-c or FF, ƒ5.6 is your best resolution in line width / picture height.
But, for wildlife, depth of field can be critical. F11 can look sharper than ƒ5.6 based on more of the subject being in focus.
My own experience involves the use of AV.
I will set my aperture and ISO, and allow the camera to adjust the shutter speed. That’s a personal choice, I prefer to monitor only shutter speed in the viewfinder. Others may choose to monitor ƒ-stop or ISO depending on the mode they use.
As per above a humming bird moth. at 1250/s.
The moth is in full flight, those wings are frozen you shouldn’t need to go any higher.
2025-06-06 Porch-Hummingbird Moth-3 by
Norm Head, on Flickr
Ditto this humming bird
1/2000s - to freeze the wings
ISO 1600 to let me use ƒ11 for depth of field
ƒ11
I chose to use a higher than optimism ISO in order to freeze the wings, and ƒ11 to get the best possible depth of field. So I chose shutter speed and ƒ-stop, those two factors dicatated ISO.
2025-05-02--FIrst hummer by
Norm Head, on Flickr
Even for faster moving BiFs, fast shutter speed can help.
2014-01-03-Blue-Jay -in-Flight by
Norm Head, on Flickr
A nice bright day, and 1/250s - ƒ8 - 1600 ISO.
2013-03-23-Canada-Jays by
Norm Head, on Flickr
Now another image.
2025-05-12-FC-Purple FInch M-D-SF by
Norm Head, on Flickr
The bird is further from the camera, and stationary… so I can cheat on the ISO, move it down to 400 for better IQ. (noise defeats top quality resolution at higher ISOs.
shoot at -.7 EV for a faster shutter speed and ƒ stop.
I move further from the bird, with a lower focal length… so I can go to ƒ8
An 1/400s because the bird isn’t in motion.
I actually have preset for the top photos labelled (Birds in Flight), with the preferred settings pre-dialed in, and I adjust from there.
Then this one relatively stationary bird at a feeder.
I’ve allowed my shutter speed to fall to 1/125s to got to 200 ISO for even lower noise at ƒ8.
2025-05-12-FC-Purple FIc F by
Norm Head, on Flickr
Only experinece will teach you when you can reduce the original settings.
That being said, small birds are the exteme, and hummingbirds are the extreme extreme.
WIth stationaly wildlife I’ll go as low as 1/30s. The image below is 1/60s ƒ9, 200 ISO
2025-03-14-Raccon-2 by
Norm Head, on Flickr
ON the one below I’m shooting at 1/125s. ƒ4 but I’m at a further distance from the animal, meaning ƒ4 provides me with adequate DoF, ( Depth of Field increases with distance.)
I'm shooiting ISO 400 because it’s low evening light.
Moose by
Norm Head, on Flickr
For this one 1/80s ƒ6.3 was sufficent.
2023-01-11-Deer-1 by
Norm Head, on Flickr
So in order of importance…. ƒ stop to keep as much as possible of the subject in focus. You can move to a smaller aperture to increase DoF, or move backwards. ƒ5.6 is optimal for resolution. But especially for subjects close to the camera, ƒ5.6 may not provide adequate DoF.
ISO, allows you to reduce noise by using the lowest possible ISO, on my camera 100 ISO. I will select this based on other conditions, like will I need a fast shutter speed for a quick moving subject, Or you can I cheat with low shutter speed for a slow moving subject? WIth modern noise reduction software, which can eliminate noise while maintaining sharpness going low noise is not as important as it once was, providing you with some leeway.
Shutter speed… I allow the camera to set this, although I do watch in the viewfinder window to make sure it was in the desired range.
Well what’s a desired range you ask?
And that comes with experience.
To make things more interesting, you can shoot any aperture from ƒ4 to ƒ 16 based on distance from subject, size of subject speed of movemnt of subject.
You can shoot from ISO 100 to ISO 1600, based on the need for a high shutter speed.
You can shoot from 1/25s to 1/4000s depending on speed of motion of the subject, the need to keep ISO low
or the need for higher ƒ-stop for more depth of field.
BIrd in flight. HIghest possible shutter, for a reatively slow moving bird. 1/800s
ISO 800, to keep my shutter speed up, but will need to be cleaned up with good noise reduction software.
ƒ8 for highest posible DoF given the other cicumstances.
I walk around with the fastest setting for the fastest moving animal I might see in my current light conditions.. For slower moving animals I will have time to adjust my settings.
2023-11-05-AP-Heron-Crossing-Hwy-60-DS.heic by
Norm Head, on Flickr
I hope that gives you an understanding of what you’re doing, but bottom line, experience counts for everything. Get out and shoot shoot shoot. Come home and process your images right away so you can evaluate what might have been better. Learn how much your post processing software can rescue less than perfect images. With many wildlife images, you can’t think about it, it has to become automatic. Practice practise practice. With many images you’ll have to accept “close enough” because going for perfect images by fiddling with settings will mean missing shots. I always take a few images before I adjust any settings, so I get something even if t’s not optimal. Then if I have time, I go for optimal settings. With my camera all setting are changeable quickly from the top of the camera with buttons and dials without menu diving. That is absolutely essential for a wild life camera. I can change ISO, ƒ Stop and EV (plus one for snow or backlit, -0.7 for normal shooting.) without taking my eye away from the viewfinder. IMHO this is absolutely essential.
Also essential, pick the settings you consider essentail, use something like AV mode and let the camera calculate and implement the settings. And shoot burst mode. Even on stationalry subjects a 3 or 4 shot burst. On moving subjects, more. On the image directly above, that was a 6 shot burst, and the image above is by far the best one of the group which took about a second. You do’t have time to shoot manual, or use manual adjustments. Personally, I wouldn’t even turn off AF.
This one shot with a manual focus Pentax A-400. You can do it in manual, if the subjects aren't moving very fast, and you have lots of time to read the light and set the f-stop… but why would you? There’s really no benefit to doing that. There are many settings that are a step up from fully manual, that let you focus on the settings that are important for that shot and let the camera manage the drudge work.
2013-06-11-Moose_and-newborn-4 by
Norm Head, on Flickr
Hope that helps.