CorrieMichael
No longer a newbie, moving up!
- Joined
- Sep 28, 2012
- Messages
- 447
- Reaction score
- 166
- Location
- Canada
- Can others edit my Photos
- Photos OK to edit
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Sigh... Every time I see someone leaning against a wall like that I'm thinking he/she is being patted down by a cop. lol
That being said.. I like the lighting and the coloring.
oy I can't seem to get this damn senior/grad thing right.....how about this one?
View attachment 55715
The Nose
Rhinoplste (the medical term for nose-job) is probably the most popular form if elective plastic surgery today. That indicates, to me, that people will go through the pain and suffering and pay the big bucks to alter the appearance of their noses. Being the most prominent feature of the face a lot of folks have issues with the size, length, roundness, angle of slope, wideness, thinness, nostril size and shape and angularity or lack thereof of there noses. It's hard to believe that so much cosmetic attention is given to an organ that is essentially designed for smelling and sniffing in air. A lifetime of being on the receiving end of derogatory name calling like schnozzle, beak, hook nose, Pinocchio, and being compared to Serrano Dievergeiak can drive anyone to the plastic surgeon. The folks who can't afford surgery or don't think it is that important, come to see a photographer for a portrait for a special occasion or gift and want al least a little plastic surgery done on their portraits to minimize or at least no worsen the appearance of their nose. The first thing hat comes to mind is to make full face portraits only - no 2/3 or profiles, but that is not necessarily true in all cases. If the nose is very long, that is, it seems to come very close to or seeming to intersect with the upper lip, a full face view from a slightly lower camera position will minimize that problem. If the nose is not too angular, a 2/3 face might be nice at that lower camera angle. Modified butterfly lighting works well. If the nose is very short a normal to slightly higher angle will be better because it tends to minimize the space between the tip of the nose and the upper lip. Short noses will tolerate a wide range of lightings even a kicker, or the so called angles touch lighting. All angles including profiles are doable
.RACIAL ATTRIBUTES
African Americans and Oriental people might have wide or very flat noses. These are not defects and it is up to the photographer to make a flattering photograph of all people as they are. With flatter noses lighting should be sharper to better define the features of the face. The use of parabolic (metal) reflectors rather than light modifiers should be used-they really separate the planes of the face better and with feathering can yield excellent textures. In the case of oriental people profiles don't usually work the planes of the face are fairly flat, while frontal views can render the face as very round. I find that 2/3 face with modified butterfly lighting shapes the face very nicely in that this combination brings out the high cheek bones. Adding a kicker light, carefully placed, can put a lovely rim light on the contour of the cheek and better define the nose. For a more dramatic effect, wider noses take nicely to Rembrandt andsplit lighting
.ANGULAR NOSES
Angular noses are very interesting in portrait studies, in the commercial end of the portrait business however, clients will usually opt for poses that do not feature their nose. Full face and 2/3 face images from normal to slightly lower camera heights will fill the bill. Dramatic portraits of men with angular noses do well at print competition judges but when it comes to bread and butter portraiture, the client is the ultimate judge - shoot from various angles and see what goes over well with your client - the rejects might yield a great salon print
.BULBOUS NOSES
Split or Rembrandt lighting helps. Print retouching to remove multiple or even a single highlight from the very tip of the nose will take some of the roundness away.
BROKEN NOSES
Noses that have been broken will sometimes heal in such a way that the nose takes on a slightly twisted look or an irregular curvature. Place the main light on each side of the face and see which direction looks better. Oftentimes the curved appearance will disappear when you discover the right lighting. Full face and 2/3 views can both work with this method of lighting.