I agree we are beating the horse but maybe this will help and I am out of here. I was once in a guitar store and they were selling a Stevie Ray Vaughn Fender addition guitar set up identical to what he used. I picked it up and tried to play it and the neck was so wide I couldn't get my hands around it, the strings were higher, to far apart and like bending fence wire, the mans hands must have been huge and incredible strength. The seller at the store said most couldn't play it well but still it was a big seller.
I think cameras are the same. You must find something you like and can use, something you are comfortable with and can trust. If you shoot something else just because of someone else you will only hurt yourself. When I chose the NEX7 I chose it because of it's ease of shooting in manual, something I learned before cameras had program mode, with the two top dials, not because it's cool. I remember when the NEX series first come out many laughed and considered it ugly. I saw a tool that looked comfortable to hold compared to the other compacts I had used. I kept dropping the EP-1.
Shoot what gets the job done. If you look at fanboys galleries they usually sux cause they are trying to make something work they are uncomfortable with, chose your own path. I shot Olympus for five years with people looking down their noses at me. But I could make them do what I wanted. I never had to worry with dust on the sensor and could shoot three stops slower than the next guy woithout dropping a wad on VR glass. I could even use vintage glass with IS. Everyone else jumped on the bandwagon after Olympus invented dust removal, in body image stabilization, and now mirrorless cameras. Everyone tends to forget that fact, now they are planning something else new, no one knows what? Everyone is looking for the next big thing that will put them over the top. I generally shot a camera until I have no use for it. I went to Sony because I wanted a real wide lens that Olympus didn't offer without spending a lot of money. I didn't want to drop that kind of cash going wide on a system with such an uncertain future. Full Frame wide is real expensive.