Derrel
Mr. Rain Cloud
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It seems from the DxO Mark link you provided us argieramos, that the Sony A77's Low-Light performance LAGS BEHIND the now ancient Canon 1D-Mark II (not even the N-version,but the ORIGINAL Mark II!) AND it is wayyyyyy below the now-old Canon 5D in terms of High ISO performance...the a77 gets its ass kicked at elevated ISO levels by the old Canon 5D. Why am I not surprised that the A77 is inferior at High ISO levels to both a seven year-old Canon FF, and an eight year-old APS-H pro Canon???
You wrote, "The a77 destroyed Professional Level cameras of Canon in Image Quality. Cameras that use much bigger sensor." Uh...not QUITE...the A77 fell FLAT ON ITS FACE at higher ISO values...the old Canon 5D performed the best of the three cameras that YOU chose to compare it with...but the Sony did have wider dynamic range and color depth and a marginally higher overall score...but let's say for lower-light shots, the roughly 800 score of the A77 versus the roughly 1300 score of the original Canon 5D...that's a poor performance for the new Sony against a camera that's about seven years old...
As with most things in the photography world, there ARE trade-offs...from what I gather, the A77 24 MP sensor looks fine at lower ISO levels, but it LOSES DETAIL pretty fast as the ISO levels rise, and in fact, the degree of noise reduction needed at elevated ISO levels brings the overall resolution down to the 16.2 megapixel level of the "other Sony sensors" used by both Pentax in the K5 and Nikon in the D7000, and also the 17.8 MP (effective) MP sensor used in the Canon 7D. Also, the RAW files of the A77 are "cooked", to help alleviate all the danged noise the sensor and electronics create...a few years ago "cooked" RAW files was something people would scream about all day long on-line. Of course, now, with a 24 MP starting point, it seems like "cooked" RAW files and HEAVILY-cooked JPEG images from the A77 are actually a pretty good compromise, all things considered. There are now enough MP that some noise reduction, or even heavy NR, seems like a good trade-off to me, even if it effectively lowers the A77 from a 24 MP camera down to a 16- to 18-MP camera...that seems fine to me...
I think if a person has Sony lenses and flashes, then they ought to look into the A77. If not, then there's not much need to look into the A77. As Pop Photo's Michael MacNamara wrote in his review, he thinks it's a good idea for Canon and Nikon users to "wait and see" what those companies come out with in the **video** front in their upcoming cameras...meaning it's nowhere near the blanket "Let's all migrate to Sony!!!" call to action that "some" people want to try and spin that one, single review into being.
You wrote, "The a77 destroyed Professional Level cameras of Canon in Image Quality. Cameras that use much bigger sensor." Uh...not QUITE...the A77 fell FLAT ON ITS FACE at higher ISO values...the old Canon 5D performed the best of the three cameras that YOU chose to compare it with...but the Sony did have wider dynamic range and color depth and a marginally higher overall score...but let's say for lower-light shots, the roughly 800 score of the A77 versus the roughly 1300 score of the original Canon 5D...that's a poor performance for the new Sony against a camera that's about seven years old...
As with most things in the photography world, there ARE trade-offs...from what I gather, the A77 24 MP sensor looks fine at lower ISO levels, but it LOSES DETAIL pretty fast as the ISO levels rise, and in fact, the degree of noise reduction needed at elevated ISO levels brings the overall resolution down to the 16.2 megapixel level of the "other Sony sensors" used by both Pentax in the K5 and Nikon in the D7000, and also the 17.8 MP (effective) MP sensor used in the Canon 7D. Also, the RAW files of the A77 are "cooked", to help alleviate all the danged noise the sensor and electronics create...a few years ago "cooked" RAW files was something people would scream about all day long on-line. Of course, now, with a 24 MP starting point, it seems like "cooked" RAW files and HEAVILY-cooked JPEG images from the A77 are actually a pretty good compromise, all things considered. There are now enough MP that some noise reduction, or even heavy NR, seems like a good trade-off to me, even if it effectively lowers the A77 from a 24 MP camera down to a 16- to 18-MP camera...that seems fine to me...
I think if a person has Sony lenses and flashes, then they ought to look into the A77. If not, then there's not much need to look into the A77. As Pop Photo's Michael MacNamara wrote in his review, he thinks it's a good idea for Canon and Nikon users to "wait and see" what those companies come out with in the **video** front in their upcoming cameras...meaning it's nowhere near the blanket "Let's all migrate to Sony!!!" call to action that "some" people want to try and spin that one, single review into being.
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