Three Generations of Cameras

480sparky

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Well, the set is complete! I found my dad's old rangefinder a few years back and added it to my 'collection' of cameras.

Last year, I began to wonder what kind of camera my grandfather used. I knew it was most likely some sort of consumer-grade Kodak, but I couldn't nail down exactly which model. About a month ago, I asked my dad what kind of camera his dad used. All he could remember was it was a Kodak. Two of his bothers only remembered 'he had a camera'.

An aunt described it as "being so tall, with a 'draw-bridge' that came down and the lens rolled out onto it." Hmmm. I was no closer to my answer.

Then I talked to the oldest of the five. He said, "Well, I don't remember off-hand, but if you give me some time, I can tell you exactly what it was." Turns out, he had it tucked away. After a few phone calls and his sending me some cell-phone shots of it, I knew exactly which camera my grandfather used. My uncle was unwilling to part with it, despite it being unusable (bellows coating was missing, and the shutter didn't fire). But with the exact model number in hand, I went shopping on ebay. Last week, I found a working copy of that exact same camera.... A Kodak 3A Folding Pocket Camera Model C. Note... it's not the Autographic version.

It arrived today. So, here........ in all their splendor.......... is three generations of cameras.

Three%20Generations.jpg


The Kodak 3A (ca. 1903-1915), my dads' Tenax Automatic (ca. 1960) and my Nikon D600.



And yes........ I'm going to convert the Kodak to accept 120 film! Stay tuned!
 
See if your uncle will give you a print and/or negative that was shot with the 3A.
 
My my!! What a big camera you have there.
 
Since I already had the design of the 120 conversion engineered, I went ahead and bought some of the goodies to make it happen after supper tonight. Stopped by the hardware store for a 1¼" dowel for the spool adapters, and the office supply store for a thick presentation folder to make a new film gate.

Film%20Gate%2001.jpg




The first thing I did was tear off all the un-needed clear plastic parts of the folder, as well as the 3-ring binder loops.

Film%20Gate%2002.jpg




That left me with plenty of plain stock to make a new film gate, and enough to make more if I make a mistake or want to make another format. I chose 6x7 since that will be the same as my RB67.

Cutting the plastic to size was easy with a rotary cutter.

Film%20Gate%2003.jpg




What took a bit more time (and finesse!) was laying out the 6x7 cutout. But with a calculator and double-checking, it's fairly simple.

Film%20Gate%2004.jpg




One last check to make sure everything is in place.....

Film%20Gate%2005.jpg




Then use the utility knife with a new blade, next to a metal ruler, to cut out the 6x7cm opening.

Film%20Gate%2004.jpg




Violá! One new film gate.

Film%20Gate%2006.jpg
 
I have so many of these old beautiful Cameras. Am following your post with excitement.!


Sent from my iPhone using Tapatalk
 
What's the situation with the red window for film advance and the numbers on the paper backing? Will you need to cut a new hole in the back of the camera so the film advance numbers are visible with the smaller film size/area? How will that work out? What's the engineering solution? I'm not that familiar with how the various issues all interact on converting from that old monstrously-sized film to the smaller 120 picture area.
 
Count the turns and hope for the best?
 
What's the situation with the red window for film advance and the numbers on the paper backing? Will you need to cut a new hole in the back of the camera so the film advance numbers are visible with the smaller film size/area? How will that work out? What's the engineering solution? I'm not that familiar with how the various issues all interact on converting from that old monstrously-sized film to the smaller 120 picture area.

The film counter window will be covered up as it will be right along the edge of the 120 film, thus exposing the edge.

Count the turns and hope for the best?

Pretty much it. I have some spare spools and paper backing I'll run through and count the number of turns needed to get past the tape at the start of the roll, then how many turns it takes to advance to the next frame. I figure I should get at least 8 frames per 120 roll, maybe 9.
 
Count the turns and hope for the best?

I had considered that idea, such as making a small "surround" for the winding key, and indexing it with say 20 small numbers or marks, and then just literally taking a roll of film and test-advancing it and taking note of the number of turns and fractions of turns needed as a roll progresses...I think there's probably enough film for maybe a quarter inch of room between frames on one or two shots, and a bit less space on the remainder, so the wind-and-count method could probably be accurate enough to, generally, keep the frames from overlapping. I was just sort of wondering if 480sparky had arrived at some awesome shade tree camera modding method on this. Like I said, I am not really familiar with the engineering on stepping down in camera format/film size on a machine like this.
 
Count the turns and hope for the best?

I had considered that idea, such as making a small "surround" for the winding key, and indexing it with say 20 small numbers or marks, and then just literally taking a roll of film and test-advancing it and taking note of the number of turns and fractions of turns needed as a roll progresses...I think there's probably enough film for maybe a quarter inch of room between frames on one or two shots, and a bit less space on the remainder, so the wind-and-count method could probably be accurate enough to, generally, keep the frames from overlapping. I was just sort of wondering if 480sparky had arrived at some awesome shade tree camera modding method on this. Like I said, I am not really familiar with the engineering on stepping down in camera format/film size on a machine like this.

After lunch, I'll take a spool with backing paper and start running it though to come up with a workable system. It will most likely be "Advance the arrow to here, put the back on, and turn the crank x turns. Then x turns for each frame."
 
The film will likely move farther as the take-up spool begins to accumulate some diameter.
 
The film will likely move farther as the take-up spool begins to accumulate some diameter.

That's a given. That's why I'm planning on leaving a generous space between frames and figuring 8 frames.
 

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