Why must you make the ugly watermark so prominent? Come on now.
#1: I'm guessing that's the bride's father? I dislike the tight crop, it feels very congested and claustrophobic. I also would've waited for the guy behind the father to walk away or something..it's a bit distracting. Maybe close him out, this would create at least a little blank space for breathing room.
#2: I actually like this one, it's a warm moment and very genuine, the fat guy ruins it for me though. But that just may be me being overpicky. But giving the groom a conjoined twin at the head really bugs me

but I think the tonalities are okay in this one. There's blacks, whites, and greys, which is nice to see, but maybe dodge the walls behind them if you can, because bumping up the contrast might create unwanted highlights/shadows. But overall, I like this one best.
#3: There are some distractions in this photo which take away from it. After covering the first arc on top of the bridge or whatever, it looks much better without the light (white rectangle thing) and the 2 squares (sorry for my lack of vocab). Maybe you could try cloning them out and see what you think. Her dress is blown as well.
#4: Interesting location, maybe a little too interesting. It really takes away from the focus point which should be the couple. I think a crop would come in a handy here, also you lost detail in her dress, it's just a blown out white.
#5: I'd say just crop out the left and far right edges so it begins with the white immediately. It's either you finish it or you don't include it. I'd say do away with them.
:mrgreen: