AlexColeman
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I'm assuming your laughing at the 'lens sharpest at f8' comment (if not this doesn't really apply) but Peterson goes to great lengths to explain this in Understanding Exposure that this is, at least in part, true from the standpoint of the math involved in the optics (as well as F11).
I guess where I'm going with this is just because those people getting paid minimum wage to sit in these photo factories don't know which side of the camera to look in, doesn't mean they don't know what makes a good photo.
the tools an artist uses makes no difference.
seriously, a good photographer will take a good shot with a disposable as well as a canon 5D-compensation-machine.
just as a good designer will do just as good a job with paper and glue as with a new mac.
the tools an artist uses makes no difference.
seriously, a good photographer will take a good shot with a disposable as well as a canon 5D-compensation-machine.
just as a good designer will do just as good a job with paper and glue as with a new mac.
I disagree. If I asked you to wa...
I think our definition of artist may be quite different - A national geographic photographer (for example) is not an artist. fine art photographers use all sorts of cameras-yes that includes 'high-end' cameras but as I said this does not make the photographer. you will find the artists pushing culture forward use anything and everything. look at what poeple are doing with Holga's - a far more interesting and creative direction than anyone with a 5D or D3 is going.
I'm sure at least some of the photogs for Nat Geo would disagree with your statement.