amolitor
TPF Noob!
- Joined
- May 18, 2012
- Messages
- 6,320
- Reaction score
- 2,131
- Location
- Virginia
- Can others edit my Photos
- Photos OK to edit
There are no oil painting prodigies. It's just too difficult a form to master. There are no prodigies of sculpture. There ARE prodigies of the piano. They're not the world's greatest pianist at age 10, but they're awfully good.
This has to do with the mechanics of the art, leaning to press a piano key expressively is, ultimately, not very hard. All that is required after that is the ability to press a lot of them in a more or less predetermined sequence, with suitable expression at each turn. This can be taught, and to a surprising degree can be simply intuited. The prodigies, in general, have had a shocking amount of formal training by age 10, but nonetheless, the 10 year old can play.
The lowest-level mechanic of oil painting, the smudging of a single blob of paint onto a piece of canvas in an expressive way, appears to simply be harder, or to require a higher degree of cognitive or motor development. Carving marble, of course, requires motor skills that no 10 year old possesses. There are surely ten year olds with the higher level innate talent to visualize, to imagine what they WOULD paint, but for whatever reason they cannot manage the physical act.
What about photography? The lowest level mechanic is 'press this button'. The ability to press a button, plus the ability to "see" for a very particular meaning of that verb, is really all that is necessary for photography as art. Commercial is another kettle of fish entirely, of course.
Photography resembles baking pastries in no interesting way whatsoever. Cooking at a high level requires a wide range of skills, large and small, from knowing how to crack eggs, to stir, all the way to knowing what is going to happen when you add these three ingredients together. Cooking requires you to be able to "visualize" flavors and how they will interact, and you still need to experiment.
Photography requires the ability to "see" (which, if teachable at all, is certainly much more innate to some people than others) and the ability to push a button.
Francesca Woodman comes to mind. I don't much care for her work, but you can't really ignore it.
This has to do with the mechanics of the art, leaning to press a piano key expressively is, ultimately, not very hard. All that is required after that is the ability to press a lot of them in a more or less predetermined sequence, with suitable expression at each turn. This can be taught, and to a surprising degree can be simply intuited. The prodigies, in general, have had a shocking amount of formal training by age 10, but nonetheless, the 10 year old can play.
The lowest-level mechanic of oil painting, the smudging of a single blob of paint onto a piece of canvas in an expressive way, appears to simply be harder, or to require a higher degree of cognitive or motor development. Carving marble, of course, requires motor skills that no 10 year old possesses. There are surely ten year olds with the higher level innate talent to visualize, to imagine what they WOULD paint, but for whatever reason they cannot manage the physical act.
What about photography? The lowest level mechanic is 'press this button'. The ability to press a button, plus the ability to "see" for a very particular meaning of that verb, is really all that is necessary for photography as art. Commercial is another kettle of fish entirely, of course.
Photography resembles baking pastries in no interesting way whatsoever. Cooking at a high level requires a wide range of skills, large and small, from knowing how to crack eggs, to stir, all the way to knowing what is going to happen when you add these three ingredients together. Cooking requires you to be able to "visualize" flavors and how they will interact, and you still need to experiment.
Photography requires the ability to "see" (which, if teachable at all, is certainly much more innate to some people than others) and the ability to push a button.
Francesca Woodman comes to mind. I don't much care for her work, but you can't really ignore it.