timbo59
TPF Noob!
- Joined
- Dec 29, 2014
- Messages
- 42
- Reaction score
- 9
- Can others edit my Photos
- Photos NOT OK to edit
Back in my younger days, I used to be able to afford to buy each new top of the line film camera from Nikon - I still have my two favourites, the F3 and F5 - the latter of which I still use. With family and other commitments these days its impossible to keep that kind of thing up, especially as the top end digital equivalents are about 4 times the price of their film-based forebears in real terms. So my first digital, about ten years ago, was a D70 and I've worked that sucker into the ground. I'm looking to replace it but am still on a very tight budget, and I was thinking of going two ways. One was to just pick up a decent D200 with low actuations for $150 - $200. The other was to try and stretch the budget out to about $400 - $450 and either pick up a D2x body or a D5200. The D200 is still a nice camera in a solid body and is pretty cheap for what you get. The D2x is still a fine pro camera, even more rock solid than the D200, and has the added side benefit of being another in the long line of Nikon pro cameras, which I used to like collecting - at one point I had every pro film camera from the F1 through to the F5. The D5200 obviously has more advances to offer in technical terms.
I should point out that much as I've used the D70 as a modern day Polaroid of sorts to set up my film work, I've still often achieved pretty good results with it on its own via the fact that I'm not one for over-sized prints, and even in those situations I'm pretty adept at creating mosaics of landscapes and abstracts that more than compensate in size for the D70's relatively small file sizes by today's standards. So the file sizes of the D200 and D2x, while dwarfed by the 24 - 36 meg output being produced by their more modern counterparts, don't bother me overmuch. Same again for the improved quality of the upper ISO's, because I rarely need to reach for such stellar numbers with my work. So bear all that in mind when rendering a view.
Thanks
I should point out that much as I've used the D70 as a modern day Polaroid of sorts to set up my film work, I've still often achieved pretty good results with it on its own via the fact that I'm not one for over-sized prints, and even in those situations I'm pretty adept at creating mosaics of landscapes and abstracts that more than compensate in size for the D70's relatively small file sizes by today's standards. So the file sizes of the D200 and D2x, while dwarfed by the 24 - 36 meg output being produced by their more modern counterparts, don't bother me overmuch. Same again for the improved quality of the upper ISO's, because I rarely need to reach for such stellar numbers with my work. So bear all that in mind when rendering a view.
Thanks