Any genre? Man Ray. A bit younger: Winogrand, Frank, Arbus - Google offers related suggestions.I'm always hearing about Ansel Adams but I never hear of any other well known photographers of his time. :thumbup:
Eve Arnold, Bill Brant, Robert Doisneau, Horst, Jacques-Henri Lartigue, Helmut Newton, Bruno Barbey, Werner Bischof, Rene Burri, Cornell Capa, Robert Capa, Henri Cartier Bresson, Bruce Davidson, Elliot Erwitt, Phillip Jone Griffith, Phillippe Halsman, Karsh, Erich Lessing, George Rogers, David 'Chim' Seymour, W. Eugene Smith There's a few to be going on with
Eve Arnold, Bill Brant, Robert Doisneau, Horst, Jacques-Henri Lartigue, Helmut Newton, Bruno Barbey, Werner Bischof, Rene Burri, Cornell Capa, Robert Capa, Henri Cartier Bresson, Bruce Davidson, Elliot Erwitt, Phillip Jone Griffith, Phillippe Halsman, Karsh, Erich Lessing, George Rogers, David 'Chim' Seymour, W. Eugene Smith There's a few to be going on with
Yeah they were all pretty good despite the fact that they all shot film and not one used HDR.
Yeah they were all pretty good despite the fact that they all shot film and not one used HDR.
Ansel adams didn't
There are no rules for good photographs, there are only good photographs.
-Ansel Adams
Ansel adams didn't
Polaroids right?
Almost all if not literally all of those people used HDR. Or tonemapping, depending on your specific definitions of each.Eve Arnold, Bill Brant, Robert Doisneau, Horst, Jacques-Henri Lartigue, Helmut Newton, Bruno Barbey, Werner Bischof, Rene Burri, Cornell Capa, Robert Capa, Henri Cartier Bresson, Bruce Davidson, Elliot Erwitt, Phillip Jone Griffith, Phillippe Halsman, Karsh, Erich Lessing, George Rogers, David 'Chim' Seymour, W. Eugene Smith There's a few to be going on with
Yeah they were all pretty good despite the fact that they all shot film and not one used HDR.
Almost all if not literally all of those people used HDR. Or tonemapping, depending on your specific definitions of each.
Print paper generally has very low lightness range. Thus, almost any professional film photographer would have either routinely or at least at some point compressed tones from film into the range of a print paper, via burning the highlights and dodging the shadows until neither was clipped in the print, thus introducing a higher dynamic range than the medium's native capacity. I would call this HDR for sure. One may disagree on semantics, but at the very least, it is unambiguously an example of tonemapping.
And in fact many photographers then would have even bracketed shots in a completely direct and unambiguous comparison to what we normally think of as HDR today.
Almost all if not literally all of those people used HDR. Or tonemapping, depending on your specific definitions of each.
Print paper generally has very low lightness range. Thus, almost any professional film photographer would have either routinely or at least at some point compressed tones from film into the range of a print paper, via burning the highlights and dodging the shadows until neither was clipped in the print, thus introducing a higher dynamic range than the medium's native capacity. I would call this HDR for sure. One may disagree on semantics, but at the very least, it is unambiguously an example of tonemapping.
And in fact many photographers then would have even bracketed shots in a completely direct and unambiguous comparison to what we normally think of as HDR today.
I wouldnt call it HDR it is just the usual developement you woukd do in the darkroom