Product photography is more about the lighting and lens than it is about the camera body itself.
Higher end camera bodies have technical features with advanced focusing systems, weather sealing, and, well... lots of features you are unlikely to use in a studio environment.
Mostly what you want to control is the light and the way the light hits and reflects off the product. You also want to control the angle of view to the product and how the background (or foreground) compares to the subject of interest and that turns out to be things that are controlled by lens selection — not camera body. The reflective cards are cheap and available at any craft store... this is an example where it isn’t the cost so much as it is the “knowing how”. Having all the lights and light modifiers can get expensive. A product shoot may involve a number of lights, a number of light modifiers, a number of mirrors & reflectors, a number of cards, etc. But mostly... it’s the “knowing how” that you will need.
Lighting is tricky (trickier than you might guess) and product photographers carry loads of light modifiers to deal with this. This isn’t really about selecting the right camera.
There are also tricks to help add some stylizing to the image... if it’s supposed to be a “cold” beverage, how to you get that frosty look? And there’s a bit of trickery here it turns out misting the bottle with some water usually wont pull off the effect (so possibly the photographer uses a bit of water & glycerin since the glycerin creates drops that hold up better and look just like water drops.) A photographer might also spray the bottle with a dulling spray to control the reflections on the bottle.
Anyway, what you want is an experienced product photographer.