why would you want bokeh in landscape. Generally landscape needs full DOF. If not, then it isn't really landscape anymore is it...
I'd love to see an example of landscape photography with buttery bokeh. Because my mind is seeing all sorts of nature shots outside of articles that are a part of the landscape but don't qualify as a landscape photograph. I'm not being a smart ass, I really want to see an example so that maybe I can learn what Hamlet wants to achieve. Sure 85mm can be used in landscape, I use longer focal lengths all the time, but I don't get the bokeh in landscape idea at all.why would you want bokeh in landscape. Generally landscape needs full DOF. If not, then it isn't really landscape anymore is it...
It's ok to think of photography like that when you begin to learn as it helps give you boundaries to work within whilst building up ones skill set. However there comes a point where you have to put down the conventions of how to shoot something and experiment. For example some might argue that macro photography has to use small apertures for maximum depths of field - yet that leaves out a whole creative effect of minimum depth of field (if you've seen any of Mishel's flower photography you'll see that you don't "need" maximum depth of field at all!).
The camera is a box full of creative tools and the good photographers learn to experiment with a wide variety of them so that they can choose what works for them and find their own creative vision.
Now don't get me wrong many of the conventions are there because they do work; however it is not to say that they are the only things that work.
Of course. A 70-200 is one of the best landscape lenses you can own.
Don't get hung up on rules.
85mm for landscapes? Sure. Why not. I like a 70-200. It's often a great lens to pick out features with.
85mm for landscapes? Sure. Why not. I like a 70-200. It's often a great lens to pick out features with.
That lens belongs in my dream team. What incredible performance, sharpness, fast zoom and one of the best VR nikon has to offer. For a zoom lens its up there with the best.
Here is a shot that was taken at 100mm with a 100-400 zoom.
And here is a shot taken with an 85mm, at f1.4.
View attachment 59938
Not the greatest photos of all time but I just wanted to throw a few quick examples at you.
85mm for landscapes? Sure. Why not. I like a 70-200. It's often a great lens to pick out features with.
That lens belongs in my dream team. What incredible performance, sharpness, fast zoom and one of the best VR nikon has to offer. For a zoom lens its up there with the best.
Actually, unless you really need the 2.8 aperture, the f4 version is good too, and it focuses much closer, if you're into macro it might be a better choice.
why would you want bokeh in landscape. Generally landscape needs full DOF. If not, then it isn't really landscape anymore is it...
I'd love to see an example of landscape photography with buttery bokeh. Because my mind is seeing all sorts of nature shots outside of articles that are a part of the landscape but don't qualify as a landscape photograph. I'm not being a smart ass, I really want to see an example so that maybe I can learn what Hamlet wants to achieve. Sure 85mm can be used in landscape, I use longer focal lengths all the time, but I don't get the bokeh in landscape idea at all.why would you want bokeh in landscape. Generally landscape needs full DOF. If not, then it isn't really landscape anymore is it...
It's ok to think of photography like that when you begin to learn as it helps give you boundaries to work within whilst building up ones skill set. However there comes a point where you have to put down the conventions of how to shoot something and experiment. For example some might argue that macro photography has to use small apertures for maximum depths of field - yet that leaves out a whole creative effect of minimum depth of field (if you've seen any of Mishel's flower photography you'll see that you don't "need" maximum depth of field at all!).
The camera is a box full of creative tools and the good photographers learn to experiment with a wide variety of them so that they can choose what works for them and find their own creative vision.
Now don't get me wrong many of the conventions are there because they do work; however it is not to say that they are the only things that work.