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gmcase

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I am a new member. Compositing is a hobby I enjoy. These vary between around 7 and 12 separate images. The last image is the oldest one I did about 7 years ago.
 

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Another I forgot to add on last post.
 
Compositing is a hobby I enjoy.

I particularly like the one with the elephant and (Mayan?) temple. Maybe some scope for collaborating on childrens' books with this type of imagery?
 
I have no partocular objective in mind, at least right now. I do these for relaxation and it does challenge me to constantly be honing editing skills.
 
What's the starting point with these pictures? How do you begin?
 
What's the starting point with these pictures? How do you begin?

I have no formula to follow. I will be looking at an image and an idea forms and I go from there. By the time I finish I may have changed directions numerous times. For example, the 20 Mule Team image was originally shot on a paved road in front of a Home Depot store. The cliff background was a shot I took at Arches. The moon was one of many I had in my archives. I probably changed directions at least a dozen times until it finally fell into place. There is usually a starting image I work around but sometims that even changes. There are times when you just cannot get images to work homgenously and is a big reason the direction meanders around so often.
 
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I was just curious, this kind of fantastic, surrealism can go wherever you wish I guess; it reminds me a bit of the imaginative album sleeve art from the 1970s - skilled graphic art using airbrush and photomontage and stuff.

You could use poems/songs as a framework.
 
I was just curious, this kind of fantastic, surrealism can go wherever you wish I guess; it reminds me a bit of the imaginative album sleeve art from the 1970s - skilled graphic art using airbrush and photomontage and stuff.

You could use poems/songs as a framework.

Wow! We think alike. Just yesterday I was listening to some music and a modern version of The Sound of Silence was playing. The words "Hello darkness, my old friend" rang out and gave me a direction to head on a concept that was bouncing around in my head. Inspiration comes in many forms and many times unexpectedly.
 
Something to get the ball rolling. Then it takes on a life of its own. I think that's a useful way into painting, music improv.
 
Oblique strategies: Brian Eno and Peter Schmidt;
oblicard.com
 
For not having plans you clearly have an eye for art.
 

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