One of the advantages of using an Expodisk over a grey card is that, as shown in Jack & Jody video referenced above, it captures exactly the light hitting the subject, regardless of 'mix' of light sources.
I recently had a small party to shoot at a restaurant on a cloudy/bright afternoon. One entire wall of the small banquet room was windows. Directly opposite the windows was a combination of brick wall, dark wall paper, and windows into a very dimly lit area. Hanging incandescent lights lit the room. Needless to say, the 'mix' of lighting varied significantly at each location the subjects were in.
Remembering that Expodisk is used to take a 'picture' of where the camera will be from where the subject will be/was, I took 4 shots across the room with Expodisk, with my back nearly to the wall. Then, I was free to take the photos. As I had switched to RAW + JPG (just in case) shooting, I set my WB for each photo as needed in Lightroom. Fortunately, it was a small-enough shoot that I had no trouble 'figuring out' which Expodisk exposure to use for the WB as I had written down the sequence I shot them in...eg, #1 towards the windows, #2 towards the wall, etc. Setting the WB in post greatly simplified my shooting time and gave great results!
As with any WB tool, one must be observant of all the lighting in a scene, and how it varies from one location to another. In my situation, having sunlight on one side and incandescent on the other, a "one shot for WB" technique just would not work. Fortunately, they were all in one room. At a wedding I was at (as a guest), the ceremony was in one room, the foyer was a gathering place, and the reception held in two adjoining rooms. Of course, each of these had different lighting! Fortunately, the professional photographers there had taken the WB shots beforehand and the results were outstanding!