Petraio Prime
TPF Noob!
- Joined
- May 28, 2010
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- Ohio
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The reason is that they end up just copying one another. I learned more about composition, use of angles, influence of light, etc., from watching old B&W movies than from any "great" still photographer.
Well then.. now you are just copying the cinematographers. Its no different.... your logic doesn't follow no matter how much you wrapped it around a fake shroud of intelligence.
The whole point is to learn for whatever or whoever and add your own "twist"... make it yours.
"Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don't bother concealing your thievery - celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: "It's not where you take things from - it's where you take them to." - Jim Jarmusch
oh btw.. I think c.cloudwalker's point was that cinema and photography borrowed and copied each other... photography existed prior to movie.
Oh I don't think you've quite grasped my point though. Most so-called "great photography" leaves me very cold, even though many of the techniques overlap those of the motion picture.
I fid it puzzling how people go on and on about HCB or AA but never mention Hitchcock or other great directors.