- Joined
- Jul 8, 2005
- Messages
- 45,747
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- Location
- Victoria, BC
- Website
- www.johnsphotography.ca
- Can others edit my Photos
- Photos OK to edit
Rubbish! Light is light. The light coming from a 1200 w/s strobe is NO different (other than colour temperature) that from a 60 watt incandescent bulb. The reason that people see a difference and that they decry the use of strobed light is because strobes (even small speedlights) are many orders of magnitude more powerful than almost any constant light source, and therefore when not controlled properly, specular highlights are much more apparent.I have watched quite a few constant light vs strobe videos and or websites that talked about it. constant lightning kind of seems like the way to go from what I have seen. looks like allot of photographers are going back to constant lighting these days and most of them say they are allot easier to work with. allot of them seemed to think it also gave you a more natural look over strobes or speed lights and when looking at the photos they had up for comparison I actually think I liked the way most of the constant lighting photos looked.
you can definitely do more with strobes or speed lights though but if your just looking at getting nice standard shots constant is looking pretty good. of course I have no clue what I am doing and so far its seems like a huge pain using these things, well at least if you want a all black background when you really have a white background to work with.
Strobed light does indeed have a slightly steeper initial learning curve, but once you get over that hump, you have vastly more flexibility. As for consistancy, it's not a problem. Setting up the same light, the same distance from the subject at the same output will yeild the same results. I could offer you images shot in many locations which all have a consistant look and feel.
I strongly recommned working more on learning about the use of strobed light. It may seem challenging at first, but one of the things I do regularily is teach lighting workshops, where I take people who know virtually nothing about flash and teach them how to produce nice, off-camera portraits in less than four hours. It will take a little practice, but stick with it, it's worth it!