I pulled several of these into Photoshop and I noticed that the black point had not been set on any of the images I opened. It looks like you're prone to underexposing images as well, since image 6 appears to be the only image that has a full range exposure.
What happened on image 4 and 5? And how are you processing these images? On my calibrated monitor these all,except for image 6, appear to have very flat, washed-out blacks and very un-saturated colors. Opening the files and looking under the hood, I see some oddly-distorted histograms,and the lack of a black point setting makes me wonder what your prints might look like from image to image.
Okay, I went to your link and looked through the entire take. Those are some terrible pictures technically. Will you ever turn the camera to shoot a vertical? The photo of the bride's hepers fitting her dress backstage has somebody's belly in the left side of the image and a Mikrotek scanner box in the right hand side of the image--that screams for a vertical camera orientation.
The green skin tones, the sallow and yellow color balance, the chronic underexposures shot after shot in the entire wedding take...wow....these are absolutely unacceptable as professional photographs. You've got a severe case of horizontalitis. Your color has major problems as well, with large swings, running the gamut from mildly unacceptable to wildly unacceptable. Some of the individual frames have skin tones that no client would find acceptable, like the green grandmother. On the full set, the color and exposure on much of the reception photos is just dreadful. Your black tones are inky and without any detail on most all of your exposures. The few samples you have managed to show us here are the best of what you managed to get-the rest of what you got is much weaker technically, and the lack of a single vertical photo is telling.