jcdeboever
Been spending a lot of time on here!
- Joined
- Sep 5, 2015
- Messages
- 19,868
- Reaction score
- 16,080
- Location
- Michigan
- Can others edit my Photos
- Photos OK to edit
This was my first attempt at macro. Different subject matter but this is what I had that interested me enough to work the project. I used a John Hedgecoe project as my guide. I was using a Canon T70, FD100mm f4, FD 50 ext tube, tripod, no flash, Weston meter, 2 overhead 100w daylight lamps. Fujifilm Superia X-tra 400. Pretty much the same setup as in the book other than brand of camera and subject (he used flower). These were shot at f/5.6, 1/30s, Program AE. Unedited, straight from scan. I want to thank @Derrel for his patience, encouragement, and guidance.
The assignment taught me several things; How to focus...in that I start out at infinity and dial back into focus. Distance... in that I never new there was a mark on camera to use as the measure point (back of lens) and how I missed it in the manual is beyond me because it's there. Tripod placements and angles offer many vantage points of DOF and interest. Slow down and think about what you want the viewer to see. Framing is 10 times harder with macro. Gained a better understanding of how my camera's focus and metering modes. I missed the framing a little on a couple but I was satisfied with the knowledge gained and had a lot of fun.
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The assignment taught me several things; How to focus...in that I start out at infinity and dial back into focus. Distance... in that I never new there was a mark on camera to use as the measure point (back of lens) and how I missed it in the manual is beyond me because it's there. Tripod placements and angles offer many vantage points of DOF and interest. Slow down and think about what you want the viewer to see. Framing is 10 times harder with macro. Gained a better understanding of how my camera's focus and metering modes. I missed the framing a little on a couple but I was satisfied with the knowledge gained and had a lot of fun.
#1

#2

#3

#4

#5

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