And what, in fact, would that problem be?
The fact one would feel they have to so they can process images to that extent for every photo. That they really cant decide on bw or color on any photo before hand. That they need two versions of every photo as im sure many shoot jpeg + raw (I do if I decide to shoot raw habit). I don't use raw for everyday shooting. with what I use for software. I cant change exposure in jpeg, bw in jpeg (least not well) white balance in jpeg.
All good things. it makes me mess up less. Honestly, people running around taking regular photos in raw I seriously don't comprehend. Get into more serious things, I see it then. But way overused as a crutch and overkill for most photos. I think they think they are cool the way they type it too.. It's in RAW.. wow!! look! it is in RAW!! dON'T SHOOT JPEG..
shoot RAW!! Even if you are taking the most generic photo that ever existed apparently! Look at all that processing extras you get for the kids birthday party shoot! WOW! Hilarious actually. Course, this is my opinion..
First, I shoot raw exclusively. I have a powerful enough machine that it doesn't make much difference if I shoot jpeg or raw, file transfers and edits happen quite quick. I also tend to carry just over 100GB worth of memory cards in my bag too, so I'm not likely to run out of space.
Second, I'm a "low volume" shooter. I don't show up at an event or location looking to shoot a hundred deliverable images, nor do I look to deliver images before I even get home. So the expediency of JPEG is wasted on people like me.
Third, I shoot with my post processing workflow in mind. I pre-visualize the final image, and shoot in a way that will give me the data I need to make that image happen. For example in this image, I intentionally underexposed the subject to retain detail in the sky.
Shooting to properly expose the subject in jpeg would have given me a white sky with no detail. Checking the difference between exposure values however told me I could shoot raw, expose for the sky, and recover the subject in raw. That kind of latitude isn't there with jpeg, but you have to be able to see it before you trip the shutter. That kind of shooting requires an intuitive understanding of both your camera sensors capabilities and your post processing workflow. This example brings me to the most important part, that shooting in raw affords the use of a much larger dynamic range than can be stored in a finished jpeg image.