Photo "Couples portraits" in the album "My First Photos" by Christy at
ChristyV
Not too bad technically! But a word of advice: you can NOT slap people off to the short side of the frame, and call this "composition". This is NOT good composition, in any way, shape or form. The "rule of thirds" is a new, made-up concept, it has no basis in real fine art...but it is talked about as if it has a long history: it does NOT.
This shot:
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The man and woman kissing, placed way over to the right hand third, then 2/3 of the entire frame area devoted to brushy, scrubby trees. And what is that thing that is sprouting out of the man's head? This is not studied, this is not appealing, this is very commonly seen today by people without formal training or study or some type of visual arts background, but it is seen sooooooo often, people are now thinking it's acceptable to do this, in this way. It can be...but not in this exact way. The so-called "Rule of Thirds" is a modern, made-up, Popular Mechanics magazine invention, and following the idea that there are "power points" that can magically make a composition good is not true. You have devoted 2/3 of the frame to ugly, scrubby trees, and placed the people so far to the right hand side that it is causing visual tension--in what i supposed to be a romantic, close-in, personal dual person portrait. But the trees get the most frame area. THis could have made a beautiful vertical composition, or a lovely square image.
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Wayyyyy yellow. Ring is not shown off well, needs to be turned toward the camera's eye. He's looking down and away, she looks toward the camera--discordant emotional states, but you have a personal; affinity for it. And again, off balance due to I think, a ROT understanding/devotion to that is overrriding good compositional balance.
And then this one:
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A properly frame, properly-oriented two-person portrait with prototypical
foreground bokeh that conveys depth and three-dimensionality with a very Asian flavor in how the out of focus grasses are used perfectly, and her straw-colored hair perfectly echos the straw! Extremely advanced work there, with something that many Western viewers are unfamiliar with, or think is simply awful: using OOF foreground foliage as a compositional and thematic element.
****
Verdict? This is your first work? Wow.You have terrific potential to become very good.