This has no bearing at all on if it was a successful choice. By admitting that it was intentional only says to me that you've made a poor choice. You have every right to be proud of the image, at least visually. But don't be so confident that you overlook the obvious. The image is very good, but it's not a perfect masterpiece. The gooey background is a mistake in my opinion, and the bit of sky - albeit the best choice given the circumstances - is nonetheless problematic.
By admitting that it came out how I'd like it to come out says it was a great choice. I've said nothing about the photo being a "masterpiece" or anything of the like. You've assumed that. Instead, all I've said is that the photo came out as I had thought it should. That says nothing about the quality of the image, or the composition for that matter. I'm all for critique, but try to keep things from getting personal.
As for the concept, I'm underwhelmed. By simply covering her naughty bits and claiming it's a feminist piece, you're essentially saying that women must be "modest" - else they are subject to being sexual objects; that the only non-pornographic place for the female form is if it is essentially obstructed from view. Covering her breasts in particular only furthers the sexualization of female anatomy within the context of your intent.
First off, I've not mentioned this being a feminist work at all. Another assumption on your part, and a poor one. You might want to curb those, considering everything you mention here has
nothing to do with the point of this image. Per the client's request, she asked that we make a photo that keeps her own beauty in tact, without showing off her other features. There is nothing feminist about that. There is nothing about that saying that the female form has to be obstructed, or that women have to be modest. Quite the opposite. You've successfully, and completely misconstrued the entire concept.
It's a fine nude portrait, and if it were left at that it would have been successful. Placing this socio-political baggage onto it though calls into question it's legitimacy.
As an image, it succeeds. As a statement, it fails.
Just keep in mind that you are the
only one associating that baggage with it. It is not meant to be a statement, it's meant to be a portrait in a specific context. This is not one of those cases where a photo is meant to carry a huge message. Instead, you've tacked that message onto the image through your own rhetoric. You have no business doing that, and frankly, it isn't fair that you'd expect it to live up to some grand feminist concept you've invented for it.
If you're going to make assumptions, and then draw your own circumstantial conclusions from them in such a grievous nature, do me a favor and don't do it with my photos.
Again, I'm all for critique. But proper technical critique does not involve personal assaults, or assigning your own ideology to a photo. If you think the top left is distracting, great, leave it at that. If I've placed that light there, then it was a choice, and I'll stick by it. If it was a poor choice, I'll learn from that. However, if it think it adds something to the photo, then I'll leave it. It's not being over-confident, it's called standing by your decisions.
EDIT: I do realize that part of the miscommunication here could be the fact that she
is covered here. This is part of an entire shoot. Many of which, she is completely uncovered. The only reason I'm posting this image alone is: A) I'm not a monetary supporter of the forum so I don't have access to the nude forum and therefore cannot post, and B) I won't be posting those images in the first place out of respect for her own privacy. In that sense, anyone seeing this image and trying to consolidate whatever "message" they might assign to it, along with the fact that she is covered, might find those two points in conflict. I still, however, think the root of the problem is trying to ascribe a message in a place where one was never meant to be.