madisonofrie said:
But is it possible to have the face in focus with 1.8 from like 5-6 feet away? which is necessary with the 50mm..
Well, at five to six feet away with a 50mm lens at f/1.8 the depth of field band is very shallow. Also, at that close a distance, the nose of a person will appear just a little bit overly large, due to the short camera range that makes things that are closer appear larger than things that are just a little bit farther away.
The depth of field band is so shallow that very small movements of the person, or small focusing errors, or using center AF focus bracket and then re-composing--any, all, or combinations of these things, can cause missed focus on the final images with a 50 shot wide-open at five to six feet.
The real advice I would give to a person asking about these types of issues is simple: stop down to f/3.2. At close range, the difference in the final depth of field is not all that great between f/1.8 and f/3.2, and at f/3.2, there is a small "cushion" that allows for a better out of focus appearance on things like the bust of a woman, or a hat or cap, and it allows the ears to be less of a distraction. To the visually sophisticated viewer, the rendering characteristics of many 50mm f/1.8 lenses shot wide-open are not that appealing. If you ever shoot a bunch of important photos wide-open, then get home and find out that 9 of 10 are rejects, you'll understand the f/3.2 advice.
There are times when photographing a woman for example, that her clothing, if it is out of focus, will become a HUGE source of distraction if the lens is used wide-open, and the face is sharp, but a large portion of the frame is out of focus clothing. This is the type of scenario where it's farrrrrrrrr better to stop the lens down to f/5.6 or f/6.3 or so, and get the whole person into good focus.