Ok, I get the fact that the light was an issue, and that there is noise in some of the shots. Now, how about some constructive criticism, like would these shots be better in black and white, or sepia? No more about the light situation.. I get it. And if all you have to say is that you don't like them. Don't bother posting please.
Or if your comment is about the noise, tell me how I can get rid of it.
Oops,
Sorry! I posted my previous reply before seeing this post from you.
Constructive criticisms:
- I prefer black and white. I'm a little color-blind, though, and that probably explains my preference.
- Sepia tends to seem "forced" or trying to be "too artsy" when I see it. There've been a few exceptions, but generally I steer away from it.
- For the noise, you're gonna want to put your camera in manual mode and set the ISO as low as you can. I understand that the lighting conditions are not ideal, but a tripod can reduce the camera movement to allow the slower shutter speeds that the lower ISO will demand. The model will have to be able to keep very still as well, which could lead to stiff postures again.
- Also for the noise, I'm not sure what editing software you use, but in PhotoShop CS3, I use Noise Ninja which does a GREAT job of reducing the noise of higher ISO shots. I generally like a bit of grain/noise in my photos, but portraiture (which I suck at) generally demands smoother looking pics.
- To truly address the noise, you'll likely need to address the lighting (SORRY!). You need to be shooting at an ISO of around 100 to truly reduce the noise to portraiture levels and if you're shooting at that low of an ISO, in order to be able to utilize fast enough shutter speeds to eliminate problems with camera shake, you'll need better lighting. If you can get a hold of some of those shop clamp lights, you can put a 100 watt bulb in them and then set it up so that they're aiming at your set with a thin white sheet hung a foot or two in front of them (so that the light doesn't set the sheet on fire). You can also stretch an old white cotton t-shirt around an improvised frame of wire coat hangers and put that in front of the lamps. You'll want several of these lamp/diffuser combinations aimed at your set.
- Play with the white balance on your camera to match this new lighting (or if the camera can shoot in RAW, use that and adjust the white balance in PhotoShop).
- Turn up the heat in your house.
That's about all I have at this point. If you want, I can run your pics through Noise Ninja to show you what they would look like with a little less noise in them.