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That's a start, but you've a way to go before you reach 'good lighting'. The windows and ambient light in your house are really irrelevant, but I will assume based on that your intention is to shoot at least some sessions using your home as a studio. First and foremost, few houses, even really large ones have sufficient room and ceiling height for group studio work (FWIW, let's take "family to mean Mom, Dad, and two children). 10' ceilings are, IMO the absolute minimum and even in my studio, I have found the 14' ceilings to be limiting in some cases. You want LOTS of open space so that you can move around the clients and move lights around. For family work, I would want at a space at least 10x20 with at least 12' ceilings....I have a great open concept house with large bay windows that allow lots of light in, plus I have a speed light, a reflector, and 2 softboxes
As for lighting, it's great to have lots of nice ambient light, but you can't rely on it. If you get a client that wants their session shot at 1.00pm on a completely overcast December day, you need to be able to accommodate. Three lights is, IMO, the absolute minimum, and five is a much better number. Look into Adorama's Flashpoint series of monolights as a starting point. Three of their 150 w/s units would be very inexpensive and an excellent starting point.
As far as lenses go, if you're going to stick with your current body, I would simply pick up a 55-200; you're going to be shooting groups using smaller apertures so that issue won't be a problem, and it's cheap like borscht.