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Not a crop John- I just removed the bank and person on the rigt, using PhotoshopI think the crop looks better also.
Thank for that insight Pete- as you know this genre is new to me- and I bow to your experience in these landscape images- on this occasion please feel free to show me your editI'm not a fan of that edit, as removes much needed balance from the scene. Without that spit and the person the leading lines in the shot take the eye out of the page.
IMO the best crop of this shot would be of the boats, the spit, and the figure. That would put the focal point on the mooring positons further out, rather than off the page. Though that crop would loose the context and a bit of personality as it cuts out the cottages.
I was going to show you, but notice you've marked your shots not ok to edit.
It's a must only if you agree it would or does look better. What one person may find to be an eye sore another may look at in a different way and see interest or beauty so it comes down to what you think because in the end it's you that's going to take credit for it. Just think, there wouldn't be a Vincent Van Gogh if he listened to everyone that said his brush strokes were too swirly.I am the same as you Kirk- I don't usually like to remove things from images- I guess sometimes its a must ?
Les
It's my personal opinion, of course, but the building and trees in the background look abnormally small. Panorama stitching with a longer lens would look more natural.What? a 50mm would make the image smaller - I don't understand your logic- I do have a Sony 50mm f1.4 G lens - but not good on full frame for images like this.
I feel that with the picture done this way it's a little confusing as to what the subject is, the boats or the person on the right and the mooring buoy is so dark it just grabs too much attention like if Nessy were sticking her head out of the water.Thanks Les, sometimes it's easier to see with an image.
Below I've marked on the leading lines on the edit:
With any imagery, it's good to keep the eye in the frame, and we can see from the arrows the direction it takes the eye. This empasizes the importance of using anchors, particularly when a focal point is shifted to one side of an image.
Below would be what I'd suggest, if you were really wanting to crop. It's a simpler composition, though it has a bit less personality as it mostly removes the context of the surrounding landscape.
When we mark on the leading lines, we can see how it is more sucessful at keeping the eye in the frame, as there is now a focal point inside the image, with the lines of the spit and the person directing the eye back.
This also applies to the original shot. The major difference being the crop could be anywhere, whereas the original is very much a shot of that particular location.
I'm afraid that's a bit of a misconception.It's my personal opinion, of course, but the building and trees in the background look abnormally small. Panorama stitching with a longer lens would look more natural.
Thank you Pete- I will try to take on board your advice- I really appreciate the time you take answering these postsI feel that with the picture done this way it's a little confusing as to what the subject is, the boats or the person on the right and the mooring buoy is so dark it just grabs too much attention like if Nessy were sticking her head out of the water.
Most any rank amateur knows that. It also ought to be obvious that the more of a scene that is included in a particular image size, the smaller each component of the scene must be. Do you agree?It's not an intuitive thing to understand, but the size of foreground and background objects is determined by perspective, rather than focal length, so the shooting position would have to change as well to alter that relationship.
For those of us who are sub-rank amateurs, it's not quite as obvious... All levels are learning here.Most any rank amateur knows that. It also ought to be obvious that the more of a scene that is included in a particular image size, the smaller each component of the scene must be. Do you agree?
??? Well sorry to disagree but the focal length of a lens also determines whether the same object in the background looks closer to the foreground objects (telephoto) or further away (wide angle lens). Just try it.I'm afraid that's a bit of a misconception.
It's not an intuitive thing to understand, but the size of foreground and background objects is determined by perspective, rather than focal length, so the shooting position would have to change as well to alter that relationship.