jadin said:
matthew robertson said:
Freudian slip?
No, that actually something they're called here. Not by everyone, and not that often, but it's a general category.
jadin said:
Anyway. I actually like the photo. If only it reminds me of Bladerunner. A highly artistic film.
I can see your point, but don't think the end result is something special. I do applaud a4drvr for her/his bravery; pointing anything at a man with a machine gun is extremely dangerous.
jadin said:
The police officer should be in focus of course, but that's been covered. The blurred cab however adds to the photo immensely. It adds movement to the emotion that the photo brings.
The blurred cab would be great if the buildings and signs weren't also adding to the sense of movement.
jadin said:
To reply to some of the political things people are commenting on, it's an illusion of safety, nothing more. Seeing a (heavily) armed officer on your street corner is to make you think you are safe.
That's something that the viewer brings to the photo if, as in this case, the photographer has been unable to convey a point of view. I'm not interested in the political argument, but it is
vital to have a clear point of view when documenting a contentious subject - because if the photographer doesn't, then there's no predicting/influencing the viewer. Conveying an idea, not just recording a sight, is the difference between art and a snapshot.
Seeing someone armed, be it a hoodlum, soldier, police, or security guard doing a courier pickup at my work, I feel
unsafe. Clearly that reaction was unanticipated by someone who thinks I spend too much time and money on cannons. Without that reaction, this photo has no value to me.