I think you still want some precision in the Petzval design. Isn't it supposed to be a "good" lens except for a tragic lack of field flatness?
Wikipedia suggests that you might be able to get all the Petval lenses you can eat out of olde skool slide projectors. I know the wet plate guys use these things a fair bit, didn't know they were Petzval designs. Like all things Lomography, this project is mostly about extracting money from hipsters. Doesn't mean you don't need some cash to start up a manufacturing operation, though.
My random single achromat I found in my cupboard and made into a lens the other day with blue painter's tape (not black velvet. not bulkheads) was already good enough for serious portrait work on the artsier side of things. it's sharper than almost any lensbaby, lomo, diana, etc. for instance (I think they intentionally make theirs crappy, not just out of cheapness). If I were using 4 elements and could choose all their characteristics, I could make it easily 5x better, on par with the best of the best of actual non-intentionally-aberrated 19th century or early 20th century lenses, for $50-$100.
It's not actually very hard to design lenses! Yes, it is hard to design 10x ZOOM lenses that are 1/3 or 8x the size of their focal length and have almost zero defects wide open at f/2.0 and have everything electronically optimized with zero sound and embedded gyroscopes, sure. But it's not hard to design a normal, mid range focal length manual lens. Anybody could learn in a day, seriously.
WinLens: Install <-- Free, and you can put in any parameters you want, and it will tell you how much coma, astigmatism, CA, SA, vignetting for your sensor size, blah blah anything you want. Even with camera movements included. From my experience plugging in some ones I've actually bench tested, it's pretty damn accurate.
As you mentioned, amolitor, I think most of the business acumen in that company is coming up with ways to attract the interest of hipsters. Like the stupid brass barrel schtick. Brilliant. I think that represents 10x more cleverness than is required to actually manufacture the thing.
If I could buy the elements off-the-shelf, I could turn one of those out in a day for $50 in materials, but to do it on a big scale is going to mean a substantial investment in materials, tooling, CNC/CAM time, etc.
Why would you use a CNC machine to cut brass tube in a straight line? That takes 20 seconds on a $200 bandsaw by hand. Similar for all other assembly steps for a product of this type.
Sure you COULD cut a brass tube with a 100 watt laser cutter instead, and pay for industrial robots and programming. Or you could build a wooden pre-measured form that sits in your bench vice and let some $12/hr schmuck push them through a bandsaw instead, finishing an entire 1,000 unit production run of tubes in like 2 days, and costing you probably less than the shipping alone would be to the CNC facility.
CNCs are not just something you use by default whenever you make more than 12 of something. Even the largest scale manufacturers in the world will still use humans instead, if humans are cheaper per unit. And in this case, they probably are, for anything less than tens of thousands of tubes being cut. Lomography is not going to be selling 80,000 hipster petzval lenses... or if they are, they don't know it yet. Else they wouldn't be on kickstarter, raising money for 300 units.
Hell, I probably could have cut the tubes for half that many units in the time I've spent writing posts on this thread. Or in the amount of time I would have spent on the phone getting a quote from the CNC people.