Post your favorite shot from your most recent roll

Do they do any of the editing or color adjustments? I typically shoot B&W but have a few boxes of Portra Id like to shoot but I am terrible at color adjustments. Just trying to figure out if there is a typical workflow for color negative scans to get the right colors/WB (that classic Portra look) or if I need to out source.

As far as I know they don't. You can have them to but you have to pay extra. These are straight scans and I add a bit of contrast adjustment to them.
 
As far as I know they don't. You can have them to but you have to pay extra.

Bummer.

That's actually better for me. Since I do my own editing, I prefer the scans to be neutral so I can do my own color correction if necessary. Most of the time with film I rarely have to unless I'm getting crazy color casting.
 
Interesting. The lab here uses an Epson V800 and everything I get back is under exposed a bit and the colors are all over the place. Even my B&W stuff generally comes back dark and not B&W. You can see that its slightly blue so I always make sure to run a B&W layer first thing. I don't know if its the lab, the flatbed scanner or maybe my shutter speeds are inaccurate (I do meter with my phone though)
 
Minolta Hi Matic G2. FP4. D76 1:1

At the Threepoint Creek Ford

MH-5-011e1s.jpg
 
Interesting. The lab here uses an Epson V800 and everything I get back is under exposed a bit and the colors are all over the place. Even my B&W stuff generally comes back dark and not B&W. You can see that its slightly blue so I always make sure to run a B&W layer first thing. I don't know if its the lab, the flatbed scanner or maybe my shutter speeds are inaccurate (I do meter with my phone though)
Send your stuff to darkroom, they have a normal, enhanced, and super scan. I have been happy with their enhanced scan of 135 film. I can only imagine it being better on a bigger negative. I send them my color film, I can't figure out how to get Portra to look right with my scanner, everything is to blue. I sent them my last 2 rolls and the negatives looked the same as mine so I figured my processing is ok. Just easier to send to them, they do something right compared to what I get.
 
Interesting. The lab here uses an Epson V800 and everything I get back is under exposed a bit and the colors are all over the place. Even my B&W stuff generally comes back dark and not B&W. You can see that its slightly blue so I always make sure to run a B&W layer first thing. I don't know if its the lab, the flatbed scanner or maybe my shutter speeds are inaccurate (I do meter with my phone though)

I'm not sure what's going on behind the scene at the labs :) I use The Find Lab almost exclusively, and they have both Frontier and Noritsu scanners. For color negative film, I tend to over expose Portra 400 about 1-2 stops when metering to get the skin tone to where I want it. Fuji 400h can handle over exposure a bit better without color casting compare to Portra 400. I don't know much about B/W film but I heard some people do push it in development for a more contrasty looks.
 
Minolta Maxxum 9, 35-70 mini beercan, TriX

From Detroit
FromDetroi.jpg
 
Interesting. The lab here uses an Epson V800 and everything I get back is under exposed a bit and the colors are all over the place. Even my B&W stuff generally comes back dark and not B&W. You can see that its slightly blue so I always make sure to run a B&W layer first thing. I don't know if its the lab, the flatbed scanner or maybe my shutter speeds are inaccurate (I do meter with my phone though)

I'm not sure what's going on behind the scene at the labs :) I use The Find Lab almost exclusively, and they have both Frontier and Noritsu scanners. For color negative film, I tend to over expose Portra 400 about 1-2 stops when metering to get the skin tone to where I want it. Fuji 400h can handle over exposure a bit better without color casting compare to Portra 400. I don't know much about B/W film but I heard some people do push it in development for a more contrasty looks.

I typically shoot portra 160 and shoot one stop over what was metered. I think I just need to find a new lab
 
Interesting. The lab here uses an Epson V800 and everything I get back is under exposed a bit and the colors are all over the place. Even my B&W stuff generally comes back dark and not B&W. You can see that its slightly blue so I always make sure to run a B&W layer first thing. I don't know if its the lab, the flatbed scanner or maybe my shutter speeds are inaccurate (I do meter with my phone though)

I'm not sure what's going on behind the scene at the labs :) I use The Find Lab almost exclusively, and they have both Frontier and Noritsu scanners. For color negative film, I tend to over expose Portra 400 about 1-2 stops when metering to get the skin tone to where I want it. Fuji 400h can handle over exposure a bit better without color casting compare to Portra 400. I don't know much about B/W film but I heard some people do push it in development for a more contrasty looks.

I typically shoot portra 160 and shoot one stop over what was metered. I think I just need to find a new lab
The Darkroom is pretty awesome from my experience. I don't use them much but when I do, their scans are clean, and nice.
 
I typically shoot portra 160 and shoot one stop over what was metered. I think I just need to find a new lab

Cool! I generally I push Portra 160 for a slight more contrasty looks (more or less a personal preference). I also shoot and push Portra 800 from time to time.
 
Nice one, JC! I like the angles here, the cityscape background and the silhouetted figures. Good tonal range, too. Nice work.
 

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